Wordplay hides a key to reality that the dictionary tries in vain to lock inside every free word.
Interpretation
The quote suggests that language can reveal deeper truths that traditional definitions cannot fully encapsulate.
Julio Cortazar highlights the complexity and richness of language, arguing that the playful use of words allows for insights into reality that rigid definitions in dictionaries fail to capture. Wordplay opens up meanings and interpretations that engage our imagination and intellect, challenging us to think beyond what is typically understood and encouraging a deeper understanding of the world around us.
In practice
This quote can be used in a lecture about the philosophy of language.
La Maga did not know that my kisses were like eyes which began to open up beyond her, and that I went along outside as if I saw a different concept of the world, the dizzy pilot of a black prow which cut the water of time and negated it.
The best literature is always a take [in the musical sense]; there is an implicit risk in its execution, a margin of danger that is the pleasure of the flight, of the love, carrying with it a tangible loss but also a total engagement that, on another level, lends the theater its unparalleled imperfection faced with the perfection of film. I donβt want to write anything but takes.
When one wants to write, one writes. If one is condemned to write, one writes.
Only in dreams, in poetry, in play do we sometimes arrive at what we were before we were this thing that, who knows, we are.
As if you could pick in love, as if it were not a lightning bolt that splits your bones and leaves you staked out in the middle of the courtyard. (...) You don't pick out the rain that soaks you to the skin when you come out of a concert.
You're like a witness. You're the one who goes to the museum and looks at the paintings. I mean the paintings are there and you're in the museum too, near and far away at the same time. I'm a painting. Rocamadour is a painting. Etienne is a painting, this room is a painting. You think that you're in the room but you're not. You're looking at the room, you're not in the room.
If you want to test cosmetics, why do it on some poor animal who hasn't done anything? They should use prisoners who have been convicted of murder or rape instead. So, rather than seeing if perfume irritates a bunny rabbit's eyes, they should throw it in Charles Manson's eyes and ask him if it hurts.
I am thrice homeless, as a native of Bohemia in Austria, as an Austrian among Germans, and as a Jew throughout the world. Everywhere an intruder, never welcomed.
The uniform necessities of human nature produce in a great measure uniformity of life, and for part of the day make one place like another; to dress and to undress, to eat and to sleep, are the same in London as in the country.
The true mystic is always both humble and compassionate, for she knows that she does not know.
My choices, including those related to the day-to-day aspects of life, like the use of a modest car, are related to a spiritual discernment that responds to a need that arises from looking at things, at people and from reading the signs of the times. Discernment in the Lord guides me in my way of governing.
Old events have modern meanings; only that survives of past history which finds kindred in all hearts and lives.
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