Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
Oscar WildeRead
Words! Mere words! How terrible they were! How clear, and vivid, and cruel! One could not escape from them. And yet what a subtle magic there was in them! They seemed to be able to give a plastic form to formless things, and to have a music of their own as sweet as that of viol or of lute. Mere words! Was there anything so real as words?
Interpretation
Words have immense power, conveying deep emotions and ideas, yet they can also be cruel and binding.
In this quote, Oscar Wilde explores the dual nature of words, emphasizing their capacity to evoke strong feelings while also creating a sense of entrapment. He acknowledges the magic of language, suggesting that words can shape our understanding of formless concepts and express beauty, yet they remain capable of causing pain and confusion. The quote reflects on the complexity of communication and the fundamental role words play in human experience.
In practice
In a literary analysis paper discussing the impact of language.
Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
London is too full of fogs and serious people. Whether the fogs produce the serious people, or whether the serious people produce the fogs, I don't know.
When one has never heard a man's name in the course of one's life, it speaks volumes for him; he must be quite respectable.
Men always want to be a woman's first love - women like to be a man's last romance.
A truth ceases to be true when more than one person believes in it.
His morality is all sympathy, just what morality should be
No sensible author wants anything but praise.
Most of my songs have names of people I've met or are dear to me. There are people who have privacy issues and about people knowing about their private life. But for me, I like to include few special names and few details about them to make the song very special to me.
It is comparatively easy to become a writer; staying a writer, resisting formulaic work, generating ones own creativity - thats a much tougher matter.
I'm not a wildly gifted person; I don't play an instrument or speak another language or have great accomplishments in another field, as many writers do. But writing feels natural to me; the act of it seems to free up my unconscious, so that sometimes I feel that I have access to more ideas and information than my conscious mind could think up.
I don't have a therapist, so I use me as my own therapist when I'm making the music.
Acting, I found, was the biggest charge I ever had. What other artist has it so good? Approval so quick?
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