Each work of art excludes the world, concentrates attention on itself. For the time it is the only thing worth doing -to do just that; be it a sonnet, a statue, a landscape, an outline head of Caesar, or an oration. Presently we return to the sight of another that globes itself into a whole as did the first, for example, a beautiful garden; and nothing seems worth doing in life but laying out a garden.
Interpretation
Art creates a world of its own, demanding our full attention and devotion.
Ralph Waldo Emerson's quote reflects on the nature of art and its ability to captivate our focus completely. He suggests that in the presence of a work of art, whether it's a poem, a sculpture, or a beautiful garden, it becomes the sole pursuit worthy of our efforts, momentarily overshadowing all else in life. This intensity of focus on beauty, whether in crafted creations or nature, emphasizes the profound impact art has on our perception of what is meaningful.
In practice
In a discussion about the significance of art in our lives, one might use this quote to highlight how art captures our attention.
It is plain that there is no separate essence called courage, no cup or cell in the brain, no vessel in the heart containing drops or atoms that make or give this virtue; but it is the right or healthy state of every man, when he is free to do that which is constitutional to him to do.
Few people have any next, they live from hand to mouth without a plan, and are always at the end of their line.
Men cease to interest us when we find their limitations
Tis the good reader that makes the good book; a good head cannot read amiss: in every book he finds passages which seem confidences or asides hidden from all else and unmistakeably meant for his ear.
The world belongs to the energetic.
Hast thou named all the birds without a gun?
Sometimes, it's all about the casting.
And you who wish to represent by words the form of man and all the aspects of his membrification, relinquish that idea. For the more minutely you describe the more you will confine the mind of the reader, and the more you will keep him from the knowledge of the thing described. And so it is necessary to draw and to describe.
Early on my career, I figured out that I just have to write the book I have to write at that moment. Whatever else is going on in the culture is just not that important. If you could get the culture to write your book, that would be great. But the culture can't write your book.
I got this idea of doing a really serious big work-it would be precisely like a novel, with a single difference: Every word of it would be true from beginning to end.
Always, when I do a play, there's got to be an equation of risks and potential failure. When you're working on a new play, it's like, 'How the hell do I do this, and do we have the time?' All of these huge questions engage, hopefully, the smartest part of me. And then when you're doing a revival, I went, 'Well, somebody's already solved it.'
A year from now, I could go away, and people might say, 'Gosh, what ever happened to that girl who never wore pants?' But how wonderfully memorable 30 years from now, when they say, 'Do you remember Gaga and her bubbles?' Because, for a minute, everybody in that room will forget every sad, painful thing in their lives, and they'll just live in my bubble world.
Subscribe for the occasional hand-picked quote. No noise.