Living substance conquers the frenzy of destruction only in the ecstasy of procreation.
Walter BenjaminRead
Work on a good piece of writing proceeds on three levels: a musical one, where it is composed, an architectural one, where it is constructed, and finally a textile one, where it is woven.
Interpretation
A good piece of writing involves harmony, structure, and intricate detail.
Walter Benjamin's quote emphasizes the multifaceted nature of writing. He likens the process to music, architecture, and textiles, suggesting that effective writing requires a melodic flow, careful construction, and a rich layering of themes and ideas, much like the way different threads come together to form a fabric.
In practice
A writer's workshop where participants analyze this quote to deepen their understanding of the writing process.
Living substance conquers the frenzy of destruction only in the ecstasy of procreation.
The illiterate of the future will not be the man who cannot read the alphabet, but the one who cannot take a photograph.
If mythic violence is lawmaking, divine violence is law-destroying; if the former sets boundaries, the latter boundlessly destroys them; if mythic violence brings at once guilt and retribution, divine power only expiates; if the former threatens, the latter strikes; if the former is bloody, the latter is lethal without spilling blood
Writers are really people who write books not because they are poor, but because they are dissatisfied with the books which they could buy but do not like.
Nothing is poorer than a truth expressed as it was thought. Committed to writing in such cases, it is not even a bad photograph. Truth wants to be startled abruptly, at one stroke, from her self-immersion, whether by uproar, music or cries for help.
I am unpacking my library. Yes I am. The books are not yet on the shelves, not yet touched by the mild boredom of order.
Writers have to keep on writing if they want to mature, like caterpillars endlessly chewing on leaves.
A lot of people insisted on a wall between modern dance and ballet, that the two disciplines were totally separate, and if you did one, you couldn’t do the other. I’m beginning to think that walls are very unhealthy things.
I am no longer afraid of becoming lost, because the journey back always reveals something new, and that is ultimately good for the artist.
I have a complex feeling about genre. I love it, but I hate it at the same time. I have the urge to make audiences thrill with the excitement of a genre, but I also try to betray and destroy the expectations placed on that genre.
Poets wish to profit or to please.
I have a high guilt quotient. A poem can go through as many as 50 or 60 drafts. It can take from a day to two years-or longer.
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