The work that lasts over time is the work which still speaks to us when all contemporary interest in that work is extinct.
Interpretation
Timeless work resonates beyond its era, remaining relevant even when contemporary interests fade.
Jeanette Winterson's quote emphasizes the enduring quality of truly great art and literature. It suggests that the most significant creations are those that continue to communicate and evoke feelings long after the initial context and trends have disappeared, highlighting the importance of timelessness in creative endeavors.
In practice
In a graduation speech about the importance of creativity in the future, one might quote this to inspire students.
What is remembered is not a deed in stone but a metaphor. Meta = above. Pheren = to carry. That which is carried above the literalness of life. A way of thinking that avoids the problems of gravity. The word won't let me down. The single word that can release me from all that unuttered weight.
Reading things that are relevant to the facts of your life is of limited value. The facts are, after all, only the facts, and the yearning passionate part of you will not be met there. That is why reading ourselves as a fiction as well as fact is so liberating. The wider we read the freer we become.
I have a list of titles that I leave at the [library] desk, because they are bound to be written some day, and it's best to be ahead of the queue.
Woolf wanted to say dangerous things in Orlando but she did not want to say them in the missionary position.
In that house, you will find my heart. You must break in, Henri, and get it back for me.' Was she mad? We had been talking figuratively. Her heart was in her body like mine. I tried to explain this to her, but she took my hand and put it against her chest. Feel for yourself.
History is a string full of knots, the best you can do is admire it, and maybe tie it up a bit more. History is a hammock for swinging and a game for playing.
In the 1960s when the recording studio suddenly really took off as a tool, it was the kids from art school who knew how to use it, not the kids from music school. Music students were all stuck in the notion of music as performance, ephemeral. Whereas for art students, music as painting? They knew how to do that.
I am installed in a fairylike place. I do not know where to poke my head; everything is superb, and I would like to do everything, so I use up and squander lots of color, for there are trials to be made.
For me it remains an open question whether [this work] pertains to the realm of mathematics or to that of art.
Immature poets imitate; mature poets steal.
Emily Dickinson never developed. She remained loyal to her persona and to that same little metrical song that stood her in such good stead. She is a striking example of complexity within a simple package. Her rhymes are like bows on the package.
I find it strangely beautiful that the camera with its inherent clarity of object and detail can produce images that in spite of themselves offer possibilities to be more than they are a photograph of nothing very important at all, nothing but an intuition, a response, a twitch from the photographer’s experience.
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