Why are we designed to see the world as supremely beautiful just as we're about to be snuffed? Do rabbits feel the same as the fox teeth bite down on their necks? Is it mercy?
Interpretation
The quote questions the paradox of perceiving beauty in life moments just before death, pondering if there's a form of mercy in this awareness.
Margaret Atwood's quote explores a profound philosophical inquiry about human perception of beauty in the face of mortality. It suggests that as one nears the end of life, there may be a heightened awareness of the world's beauty, prompting questions about whether this appreciation acts as a consolation or mercy. Atwood also alludes to a deeper instinctual experience of life and death, comparing it to the predator-prey dynamic, ultimately digging into the complex emotional landscape humans navigate in their final moments.
In practice
This quote could be used in a discussion about art and its relation to human experience at a gallery opening.
If I am good enough and quiet enough, perhaps after all they will let me go; but it’s not easy being quiet and good, it’s like hanging on to the edge of a bridge when you’ve already fallen over; you don’t seem to be moving, just dangling there, and yet it is taking all your strength.
I would like to believe this is a story I’m telling. I need to believe it. I must believe it. Those who can believe that such stories are only stories have a better chance. If it’s a story I’m telling, then I have control over the ending. Then there will be an ending, to the story, and real life will come after it. I can pick up where I left off.
What else can I do? Once you've gone this far you aren't fit for anything else. Something happens to your mind. You're overqualified, overspecialized, and everybody knows it. Nobody in any other game would be crazy enough to hire me. I wouldn't even make a good ditch-digger, I'd start tearing apart the sewer-system, trying to pick-axe and unearth all those chthonic symbols - pipes, valves, cloacal conduits... No, no. I'll have to be a slave in the paper-mines for all time.
We love each other, that’s true whatever it means, but we aren’t good at it; for some it’s a talent, for others only an addiction.
I've learned quite a lot, over the years, by avoiding what I was supposed to be learning.
Knowing too much about other people puts you in their power, they have a claim on you, you are forced to understand their reasons for doing things and then you are weakened.
Relations of production are first reproduced by the materiality of the processes of production and circulation. But it should not be forgotten that ideological relations are immediately present in these same processes.
Print encourages a sense of closure, a sense that what is found in a text has been finalized, has reached a state of completion.
I am very defective in all duties... In prayer I wander and am formal... I soon tire; devotion languishes; and I do not walk with God.
My conscience is informed by reason. It's like Kant's categorical imperative: behave to others as you would wish they behaved to you.
To forge an untouchable, invulnerable identity is actually a sign of retreat from this world; of weakness, a sign of fear rather than strength, and betrays a strange misunderstandin g of an abiding, foundational and necessary reality: that untouched, we disappear.
I like the stars. It's the illusion of permanence, I think. I mean, they're always flaring up and caving in and going out. But from here, I can pretend... I can pretend that things last.
Subscribe for the occasional hand-picked quote. No noise.