Do you not see how necessary a world of pains and troubles is to school an intelligence and make it a soul?
John KeatsRead
Who would wish to be among the commonplace crowd of the little famous - who are each individually lost in a throng made up of themselves?
Interpretation
The quote reflects a disdain for mediocrity and a desire for individuality amid conformity.
In this quote, John Keats questions the value of being part of a large group of people who are only famous in a trivial sense. He suggests that these individuals, while recognized, are ultimately lost in their sameness, and he advocates for striving to stand out as unique rather than blending into the ordinary crowd.
In practice
This quote could be a great opening statement for a speech about the importance of personal authenticity.
Do you not see how necessary a world of pains and troubles is to school an intelligence and make it a soul?
Are there not thousands in the world who love their fellows even to the death, who feel the giant agony of the world, and more, like slaves to poor humanity, labor for mortal good?
Ask yourself my love whether you are not very cruel to have so entrammelled me, so destroyed my freedom. Will you confess this in the Letter you must write immediately, and do all you can to console me in it β make it rich as a draught of poppies to intoxicate me βwrite the softest words and kiss them that I may at least touch my lips where yours have been. For myself I know not how to express my devotion to so fair a form: I want a brighter word than bright, a fairer word than fair.
Faded the flower and all its budded charms,Faded the sight of beauty from my eyes,Faded the shape of beauty from my arms,Faded the voice, warmth, whiteness, paradise!Vanishd unseasonably
I think we may class the lawyer in the natural history of monsters.
...I leaped headlong into the Sea, and thereby have become more acquainted with the Soundings, the quicksands, and the rocks, than if I had stayed upon the green shore, and piped a silly pipe, and took tea and comfortable advice.
But suppose one doesn't quite know which one wants to put first. Suppose," said Harriet, falling back on words which were not her own, "suppose one is cursed with both a heart and a brain?" "You can usually tell," said Miss de Vine, "by seeing what kind of mistakes you make. I'm quite sure that one never makes fundamental mistakes about the thing one really wants to do. Fundamental mistakes arise out of lack of genuine interest. In my opinion, that is.
Since my house burned down I now own a better view of the rising moon.
One of the dilemmas of architecture in general is that there is a Catch-22 - you can't actually get to be commissioned to do certain types of building until you've already built that type of building. So it seems to be incredibly hard to get going.
Once the inner connection is grasped, all theoretical belief in the permanent necessity of existing conditions collapses before their collapse in practice -- Letter to Ludwig Kugelmann (July 11, 1868)
The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own traveling brotherhood.
If you suffocate my blackness, you've got to realize that's supremacy.
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