Every canvas is a journey all its own.
We would sift through every inch of what it was that worked, or if it didn't, and wonder what was effective in it, in terms of paint, the subject matter, the size, the drawing.
Interpretation
What this quote means
This quote reflects the meticulous process of artistic evaluation and understanding of what contributes to a successful work of art.
Helen Frankenthaler's quote emphasizes the importance of thorough analysis and reflection in the artistic process. It suggests that artists should critically examine every component of their work, such as technique, subject, and form, to discern what contributes to its effectiveness and impact. This approach not only aids in the improvement of one's craft but also deepens the artist's engagement with their own creative vision.
Themes
In practice
Example use cases
During an art critique session, one might use this quote to emphasize the need for careful dissection of artistic elements.
More from Helen Frankenthaler
All quotes βThere are many accidents that are nothing but accidents-and forget it. But there are some that were brought about only because you are the person you are... you have the wherewithal, intelligence, and energy to recognize it and do something with it.
I don't start with a color order, but find the colors as I go.
What concerns me when I work, is not whether the picture is a landscape, or whether it's pastoral, or whether somebody will see a sunset in it. What concerns me is - did I make a beautiful picture?
Art has a will of its own. It has nothing to do with the taste of the moment or what's expected of you. That's a formula for dead art, or fashionable art.
I don't resent being a female painter. I don't exploit it. I paint.
Similar quotes
The difference between architecture and building is that the former expresses an idea, while the latter is merely a structure built on economical principles. The value of matter depends solely on its capacities of expressing ideas.
If I create with my heart almost all my intentions remain. If it is with the head - almost nothing. An artist must not fear to be himself, to express only himself. If he is absolutely and entirely sincere, what he says and does will be acceptable to others.
The theater is so endlessly fascinating because it's so accidental. It's so much like life.
I think of writing as a sculptural medium. You are not building things. You are removing things, chipping away at language to reveal a living form.
'Untitled' is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was scarce, and artists like Tiravanija were in the nascent stages of combining Happenings, performance art, John Cage, Joseph Beuys, and the do-it-yourself ethos of punk. Meanwhile, a new art world was coming into being.
I believe so deeply in the primacy of language, in lifting your prose to the highest level you're capable of and making your words symphonic.