When I first started doing my comedy act, I just desperately needed material. So I took literally everything I knew how to do on stage with me, which was juggling, magic and banjo and my little comedy routines. I always felt the audience sorta tolerated the serious musical parts while I was doing my comedy.
If he thinks he would harm Mirabelle, he would back away. But he does not yet understand when and how people are hurt. He doesn't understand the subtleties of slights and pains, that it is not the big events that hurt the most but rather the smallest questionable shift in tone at the end of a spoken word that can plow most deeply into the heart.
Interpretation
What this quote means
The quote underscores the nuanced ways in which people can hurt others, often through subtle actions rather than grand gestures.
In this quote, Steve Martin reflects on the complexity of human emotions and relationships. He suggests that true harm often comes not from overt actions but from subtle, often unintentional, shifts in communication. The individual in question lacks an understanding of how small changes in tone or expression can convey hurt, emphasizing that emotional pain can be deeply rooted in the minutiae of interpersonal interactions rather than significant events.
Themes
In practice
Example use cases
In a discussion about emotional intelligence, this quote can highlight the importance of being mindful in our interactions with others.
More from Steve Martin
All quotes →You want to be a bit compulsive in your art or craft or whatever you do.
I have heard it said that a complicated childhood can lead to a life in the arts. I tell you this story of my father and me to let you know I am qualified to be a comedian.
...it is not the big events that hurt the most but rather the smallest questionable shift in tone at the end of a spoken word that can plow most deeply into the heart.
Reviews for someone like me come in three packages. One is justifiable praise, the second is justifiable criticism, and the third is, "This is only published because he's a celebrity."
I was raised with "Laurel and Hardy" and "I Love Lucy" and Jerry Lewis, and I just loved it. And I had a friend in high school and we would just laugh all day and put on skits. You know, it's the Andy Kaufman thing or the Marty Short thing where you're performing in your bedroom for yourself.
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Relationship and connectedness are the pre-condition for change. Every meeting, every process, every training program has to get people connected first. Otherwise the content falls on deaf ears. So small groups are an essential building block to any future you want to create.
Handshaking means, 'I don't have a weapon.'
Strange how people who suffer together have stronger connections than those who are most content.
I've always had as many powerful, creative ladies in my life as I have men, and you could probably describe some of those relationships as romantic. I think everyone's bisexual to some degree or another; it's just a question of whether or not you choose to recognise it and embrace it. Personally, I think choosing between men and women is like choosing between cake and ice cream. You'd be daft not to try both when there are so many different flavours.
Said of her husband on the day their divorce became final: Oh, don't worry about Alan. . . . Alan will always land on somebody's feet.
Let's go hand in hand, not one before another.