To me, a song is not finished. To me, there's no such thing as a finished anything. All of Beethoven's nine symphonies, to me, are one. I think of it as having no beginning and no end.
Wayne ShorterRead
I would pass this music store on the way to school, and there was a clarinet in the window, a second-hand one. And I kept asking my parents to buy it, and eventually they did. I still have it now.
Interpretation
This quote reflects the passion for music and the importance of pursuing one's interests from a young age.
Wayne Shorter shares a personal memory of desiring a clarinet he saw in a music store window during his school days. The quote highlights the significance of nurturing one's passions and the joy that comes from receiving support from loved ones, as well as the lasting impact of such experiences throughout one's life.
In practice
This quote can be used in a speech about following your dreams and pursuing your passions.
To me, a song is not finished. To me, there's no such thing as a finished anything. All of Beethoven's nine symphonies, to me, are one. I think of it as having no beginning and no end.
Jazz shouldn't have any mandates. Jazz is not supposed to be something that's required to sound like jazz. For me, the word 'jazz' means, 'I dare you.'
When they say 'jazz,' I'm thinking of a word called 'the creative process.' It intersects every vein and tributary, avenue, path, that everyone's living. It crosses through there, but it's been contained.
There's a steady forward march of a creative process that some of us stay with and don't give up - that should be an admirable thing - from Louis Armstrong to Charlie Parker to Miles to Ornette and some people who are not even known today - some kids coming up - people who are out to change the world.
The arts can open the door to the imagination, pushing the envelope of how peace can be created. It takes courage to take this kind of risk, and courage is what we all need to create a better world.
I think that music opens portals and doorways into unknown sectors that it takes courage to leap into. I always think that there's a potential that we all have, and we can emerge, rise up to this potential, when necessary. We have to be fearless, courageous, and draw upon wisdom that we think we don't have.
We used the Western style to express our own themes and stories. But don't forget that our heritage includes The Thousand and One Nights.
If a scene is longer than three pages, it better be for a good reason.
I am very much interested in the so-called useless object. I mean, it takes perfect craftsmanship, beautiful material carefully measured and crafted, but at the same time it’s really useless.
My cooking is simply ingredients plus umami.
I'm not likely to forget where I've been and what I've done and learned. I think it's just as important to play new instruments as to play new pieces. The old ones are getting scarcer and the new ones more and more wonderful.
People on the outside think there's something magical about writing, that you go up in the attic at midnight and cast the bones and come down in the morning with a story, but it isn't like that. You sit in back of the typewriter and you work, and that's all there is to it.
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