Write because you love the art and the discipline, not because you're looking to sell something.
Interpretation
Write for the passion of it, not for commercial gain.
This quote emphasizes the importance of writing as an art form and a discipline driven by passion. Ann Patchett encourages writers to focus on their love for the craft rather than on financial success, suggesting that authenticity and dedication to the art will lead to more fulfilling creative expression.
In practice
In a writer's workshop to inspire young authors.
Show kindness whenever possible. Show it to the people in front of you, the people coming up behind you, and the people with whom you are running neck and neck. It will vastly improve the quality of your own life, the lives of others, and the state of the world.
There was such an incredible logic to kissing, such a metal-to-magnet pull between two people that it was a wonder that they found the strength to prevent themselves from succumbing every second. Rightfully, the world should be a whirlpool of kissing into which we sank and never found the strength to rise up again.
It was too much work to remember things you might not have again, and so one by one they opened up their hands and let them go.
Why is it that we understand playing the cello will require work, but we attribute writing to the magic of inspiration?
Reading fiction not only develops our imagination and creativity, it gives us the skills to be alone. It gives us the ability to feel empathy for people we've never met, living lives we couldn't possibly experience for ourselves, because the book puts us inside the character's skin.
Carmen prayed hard. She prayed while standing near the priest in hopes it would give her request extra credibility. What she prayed for was nothing. She prayed that God would look on them and see the beauty of their existence and leave them alone.
Sometimes what we call tragedy, at least in the theater, are really case histories. They're based on the central figure, and things happen to that person, and they're called tragedy because they're extremely sad. But tragedy always has a glorious thing happen at the end of it. That's what the catharsis is.
When you're a writer, the question people always ask you is, "Where do you get your ideas?" Writers hate this question. It's like asking Humphrey Bogart in The African Queen, "Where do you get your leeches?" You don't get ideas. Ideas get you.
To write simply is as difficult as to be good.
That's the clarinet I used to use... but it's just a piece of wood, you know, with holes in it and they put these clumsy keys on it and you're supposed to try to take that and manipulate it with throat muscles and chops... and try to make something happen that never happened before. And when you do, you never forget it. It beats sex, it beats anything.
Getting the player emotionally involved is the holy grail. We try to make players forget they're playing a game. We want them to live the experience and suspend disbelief.
Television excites me because it seems to be the last stamping ground of poetry, the last place where I hear women's hair rhapsodically described, women's faces acclaimed in odelike language.
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