A short story is the ultimate close-up magic trick -- a couple of thousand words to take you around the universe or break your heart.
Neil GaimanRead
Being a writer is a very peculiar sort of a job: it's always you versus a blank sheet of paper (or a blank screen) and quite often the blank piece of paper wins.
Interpretation
Being a writer involves facing the challenge of creating something meaningful from nothing, often struggling with self-doubt.
In this quote, Neil Gaiman highlights the solitary struggle of a writer as they confront the emptiness of a blank page. The quote metaphorically compares the creative process to a battle, where the writer must overcome internal obstacles and fears of inadequacy, emphasizing that creating literature or art is often a daunting task that can leave one feeling defeated.
In practice
Using this quote during a writing workshop to inspire participants to embrace their creative challenges.
A short story is the ultimate close-up magic trick -- a couple of thousand words to take you around the universe or break your heart.
Jesus. Low-Key Lyesmith," said Shadow. and then he heard what he was saying and he understood. "Loki," he said. "Loki Lie-smith." "You're slow," said Loki, "but you get there in the end." And his lips twisted into a scarred smile and the embers danced in the shadows of his eyes.
As a teenager I wrote to R.A. Lafferty. And he responded, too, with letters that were like R.A. Lafferty short stories, filled with elliptical answers to straight questions and simple answers to complicated ones.
The important thing to understand about American history, wrote Mr. Ibis, in his leather-bound journal, is that it is fictional, a charcoal-sketched simplicity for the children, or the easily bored.
Nothing’s changed. You’ll go home. You’ll be bored. You’ll be ignored. No one will listen to you, really listen to you. You’re too clever and too quiet for them to understand. They don’t even get your name right.
I like the stars. It's the illusion of permanence, I think. I mean, they're always flaring up and caving in and going out. But from here, I can pretend...I can pretend that things last. I can pretend that lives last longer than moments. Gods come, and gods go. Mortals flicker and flash and fade. Worlds don't last; and stars and galaxies are transient, fleeting things that twinkle like fireflies and vanish into cold and dust. But I can pretend.
Poems, novels - these things belong to the nation, to the culture, and the people.
I think in London - and I don't wanna offend anybody in America, but this is a real statement - they still have the right approach to making music. In the U.S., people see it as a way to make money; they see it as a means to get out. It's a hustle, which is great - any way you can provide for your family that's legal is fantastic.
And the Raven, never flitting, still is sitting, still is sitting...
I wish I could write. I get these ideas but I never seem to be able to put them in words.
An artist may have burdens the ordinary citizen doesn't know, but the ordinary citizen has burdens that many artists never even touch.
Right angles don't attract me. Nor straight, hard and inflexible lines created by man.
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