The most important thing is you can't write what you wouldn't read for pleasure. It's a mistake to analyze the market thinking you can write whatever is hot. You can't say you're going to write romance when you don't even like it. You need to write what you would read if you expect anybody else to read it.
I think writer is a word without gender, and a good writer observes, absorbs, hopefully empathizes then translates that into character and story. You don’t have to do or be or have experienced, traveled to, but you have to imagine all of that, very well–and believe it completely during the bubble of the work.
Interpretation
What this quote means
A good writer transcends personal experience to create relatable characters and stories through imagination and empathy.
Nora Roberts emphasizes that the essence of being a writer is not confined to one's gender or personal experiences. Instead, it lies in the ability to observe the world, empathize with diverse perspectives, and translate these observations into compelling characters and narratives. Writers must engage deeply with their imagination and believe in the realities they create, even if they have not lived those experiences themselves.
Themes
In practice
Example use cases
In a writing workshop, to encourage participants about the power of imagination, one might say this quote to inspire their creativity.
More from Nora Roberts
All quotes →You're the love of my life. I don't care how corny that sounds. You're the start of it, and the end of it. And you're the best of it.
Magic exists. Who can doubt it, when there are rainbows and wildflowers, the music of the wind and the silence of the stars? Anyone who has loved has been touched by magic. It is such a simple and such an extraordinary part of the lives we live.
Why couldn't she have this, just enjoy this, without creating obstacles, digging up problems, worrying about mistakes, about tomorrow's? Why let the maybe's, the what if's, the probabilities spoil something so lovely?
She raised her eyes to his. They had both come from misery, she thought, and survived it. They had been drawn together through violence and tragedy, and had overcome it. They walked different paths and had found a mutual route. Some things last, she thought. Some ordinary things. Like love.
Happily ever after?" "If justice doesn't triumph and love doesn't make the circle in entertainment fiction, what's the point? Real life sucks too often.
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I try to make clothes the way Lou Reed does music, with minimal chord changes. It's about giving everything I make a worn, softened feel. It's about an elegance being tinged with the barbaric, the luxury of not caring.
I do write long, long character notes - family background, history, details of appearance - much more than will ever appear in the novel. I think this is what lifts a book from that early calculated, artificial stage.