The writing process for a short story feels more like field geology, where you keep turning the thing over and over, noting its qualities in detail, hammering at it, putting it near flame, pouring different acids on it, and then finally you figure out what it is, or you just give up and mount it on a ring and have an awkward chunky piece of jewelry that seems weirdly dominating but that you for some reason like. I could be wrong about field geology here.
Interpretation
Writing a short story is a detailed and experimental process, much like geological exploration.
In this quote, Rivka Galchen compares the intricate and often challenging process of writing a short story to the meticulous nature of field geology. Both involve careful observation, testing, and refining to uncover the essence of what you are working with, and sometimes the end result may feel awkward or unconventional, yet still holds personal value to the creator.
In practice
An author could use this quote during a writers' workshop to emphasize the complexity of the creative process.
I've always felt like I was an actor for hire. And almost apologetic for being a woman of color, trying to stifle that voice. But I don't feel that way in Shondaland. I feel like I am accepted into a world where I'm a part of the narrative - I'm a part of it.
The role of an orchestra in the 21st century isn't just playing, it's about developing future audiences and performers.
A drawing is an autobiographical record of one's discovery of an event - either seen, remembered or imagined. A 'finished' work is an attempt to construct an event in itself.
When he moves, a streetlight stabs him, and the words flow out like blood.
Music is what I have to do, I only answer the questions so that I can do it.
It's an honor putting art above politics. Politics can be seductive in terms of things reductive to the soul.
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