Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
Oscar WildeRead
For a year after that was done to me I wept every day at the same hour and for the same space of time. That is not such a tragic thing as possibly it sounds to you. To those who are in prison tears are a part of every day's experience. A day in prison on which one does not weep is a day on which one's heart is hard, not a day on which one's heart is happy.
Interpretation
Expressing sorrow in a confined situation can be a way to remain emotionally connected to one's humanity.
Oscar Wilde reflects on his experience in prison, highlighting that crying is a natural response to suffering and incarceration. He suggests that tears signify empathy and emotional vulnerability, contrasting the notion that not crying would indicate strength or happiness, when in truth, it could signify emotional numbness or hardness of heart.
In practice
In a speech about overcoming adversity, this quote can remind us that expressing emotions is important.
Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
London is too full of fogs and serious people. Whether the fogs produce the serious people, or whether the serious people produce the fogs, I don't know.
When one has never heard a man's name in the course of one's life, it speaks volumes for him; he must be quite respectable.
Men always want to be a woman's first love - women like to be a man's last romance.
A truth ceases to be true when more than one person believes in it.
His morality is all sympathy, just what morality should be
Let woman's claim be as broad in the concrete as the abstract. We take our stand on the solidarity of humanity, the oneness of life, and the unnaturalness and injustice of all special favoritism, whether of sex, race, country, or condition. If one link of the chain is broken, the chain is broken.
What a tragedy is help where it harms what it supports!
Society is joint action and cooperation in which each participant sees the other partner's success as a means for the attainment of his own.
The world is quickly bored by the recital of misfortune, and willing avoids the sight of distress.
If you hate somebody, it's like a boomerang that misses its target and comes back and hits you in the head. The one who hates is the one who hurts.
Success on a cosmic level completely eludes me. I'm deeply suspicious of things being too good. It's part of my superstition, I think, to generate pain in order to give the illusion of gain. I'm not saying I reject success, but honestly, I don't quite know how to deal with it. It's an old feeling: As soon as you have the thing you've been going after all your life, that reasonable degree of security, you start kicking against it, doubting it.
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