There's no particular class of photograph that I think is any better than any other class. I'm always and forever looking for the image that has spirit! I don't give a damn how it got made.
Minor WhiteRead
Some of the young photographers today enter photography where I leave off. My "grandchildren" astound me. What I worked for they seem to be born with. So I wonder where Their affirmations of Spirit will lead. My wish for them is that their unfolding proceeds to fullness of Spirit, however astonishing or anguished their lives.
Interpretation
The quote reflects on the evolving nature of photography and the admiration for new generations of photographers.
Minor White expresses a sense of wonder at the talent and creativity of young photographers who have taken the art of photography to new heights. He acknowledges that what he struggled to achieve in his own work seems innate to these younger artists, and he hopes their journeys will lead to profound personal and artistic growth, regardless of the challenges they may face.
In practice
This quote would be inspiring to share at a photography exhibition highlighting young artists.
There's no particular class of photograph that I think is any better than any other class. I'm always and forever looking for the image that has spirit! I don't give a damn how it got made.
While we cannot describe its appearance (the equivalent), we can define its function. When a photograph functions as an Equivalent we can say that at that moment, and for that person the photograph acts as a symbol or plays the role of a metaphor for something that is beyond the subject photographed.
The reason why we want to remember an image varies: because we simply 'love it,' or dislike it so intensely that it becomes compulsive, or because it has made us realize something about ourselves, or has brought about some slight change in us. Perhaps the reader can recall some image, after the seeing of which he has never been quite the same.
One does not photograph something simply for 'what it is', but 'for what else it is.
One should not only photograph things for what they are but for what else they are.
If all your life means to you is water running over rocks, then photograph it, but I want to create something that would not have existed without me.
The nervous system of any age or nation is its creative workers, its artists. And if that nervous system is profoundly disturbed by its environment, the work it produces will inescapably reflect the disturbances, sometimes obliquely and sometimes with violent directness.
The details are details. They make the product. The connections, the connections, the connections. It will in the end be these details that give the product its life.
And she never could remember; and ever since that day what Lucy means by a good story is a story which reminds her of the forgotten story in the Magician's Book.
The idea that one might use art for 'instrumental' reasons tends to set off alarm bells at the heart of the cultural elite, who contend that it's not a pill, that it shouldn't be asked to perform some specific function, especially something as egocentric as to 'cheer you up' or to 'make you a more empathetic person.'
I don't want to make music that is hot now; I want to make music that is hot forever.
When I'm in certain moods, a conversation will start up in my head, and suddenly I'll realize that the language has reached a very high and interesting level, and then lines and stanzas will just kind of appear, full-blown.
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