I have discovered in life that there are ways of getting almost anywhere you want to go, if you really want to go.
Langston HughesRead
We younger Negro artists who create now intend to express our individual dark-skinned selves without fear or shame. If white people are pleased, we are glad. If they are not, it doesn't matter. We know we are beautiful. And ugly too. The tom-tom cries and the tom-tom laughs. If colored people are pleased, we are glad. If they are not, it doesn't matter either. We build our temples for tomorrow, strong as we know how, and we stand on top of the mountain, free within ourselves.
Interpretation
The quote emphasizes the importance of self-expression and the beauty of individual identity without fear of judgment from others.
Langston Hughes articulates the desire of younger Black artists to celebrate their identity and authenticity boldly. They convey that their creativity and self-worth are not contingent upon the approval of white audiences or society at large. Instead, their art serves as a testament to their resilience, diversity, and the richness of their experiences, building a brighter future for themselves with confidence and pride.
In practice
This quote can inspire artists in a public speech about embracing one's cultural heritage.
I have discovered in life that there are ways of getting almost anywhere you want to go, if you really want to go.
My writing has been largely concerned with the depicting of Negro life in America.
I tire so of hearing people say, Let things take their course. Tomorrow is another day. I do not need my freedom when I'm dead. I cannot live on tomorrow's bread.
An artist must be free to choose what he does, certainly, but he must also never be afraid to do what he might choose.
The calm, Cool face of the river, Asked me for a kiss
The only way to get a thing done is to start to do it, then keep on doing it, and finally you'll finish it.
The worst thing that being an artist could do to you would be that it would make you slightly unhappy constantly.
Filmmakers are going to make films, just like painters are going to paint.
The photographer's most important and likewise most difficult task is not learning to manage his camera, or to develop, or to print. It is learning to see photographically β that is, learning to see his subject matter in terms of the capacities of his tools and processes, so that he can instantaneously translate the elements and values in a scene before him into the photograph he wants to make.
In the early days, Porter Wagoner would not exactly scold me, but he's say, 'You're writing too many damn verses. You're makin' these songs too damn long.' And I'd say, 'Yeah, but I'm tellin' a story. I have a story to tell.' And he'd say, 'Well, you're not going to get it on the radio.' If I start writing a song, I'm writing it for a reason. People would say that I had to have two verses, and a chorus, and a bridge. I tried to learn that formula.
Beauty is a key to the mystery and a call to transcendence. It is an invitation to savor life and to dream of the future. That is why the beauty of created things can never fully satisfy. It stirs that hidden nostalgia for God which a lover of beauty like Saint Augustine could express in incomparable terms: 'Late have I loved you, beauty so old and so new: late have I loved you!'.
The poem is a little myth of man's capacity of making life meaningful.
Subscribe for the occasional hand-picked quote. No noise.