If you're deeply engaged in an event, you're part of it. But if you're outside of it, disinterested, you are the regard that registers history. And that disinterestedness is different from objectivity. The objective view sees only the event, while the disinterested one participates as well as views by creating that link to history. It's a type of viewing that's both inside and out of the event, that brings to the viewing the capacity for human emotion, for compassion, but holds it openly. And objectivity excludes the human element, and is therefore not a point of view open to humans.
I've always been interested in the principle of the fractal, which is typified by self-similarity across scale, which both puts a lot of pressure on … - Cole Swensen
I've always been interested in the principle of the fractal, which is typified by self-similarity across scale, which both puts a lot of pressure on …
- Cole Swensen
At the end of any of my project I miss the material. I pick subjects I love and then get very engaged with them, so stopping that engagement often fe… - Cole Swensen
At the end of any of my project I miss the material. I pick subjects I love and then get very engaged with them, so stopping that engagement often fe…
Rather than thinking of sound and sense in my essays as two opposing principles, two perpendicular trajectories, as they are often considered in conv… - Cole Swensen
Rather than thinking of sound and sense in my essays as two opposing principles, two perpendicular trajectories, as they are often considered in conv…
If you're deeply engaged in an event, you're part of it. But if you're outside of it, disinterested, you are the regard that registers history. And t… - Cole Swensen
If you're deeply engaged in an event, you're part of it. But if you're outside of it, disinterested, you are the regard that registers history. And t…
Being in unfamiliar places has no effect on my writing, except that it often means I'm caught up in the logistics of travel, the places and people on… - Cole Swensen
Being in unfamiliar places has no effect on my writing, except that it often means I'm caught up in the logistics of travel, the places and people on…
My focus is on the rhythmic relationship between body and ground and the visual relationships among the elements of the always-changing scene. - Cole Swensen
My focus is on the rhythmic relationship between body and ground and the visual relationships among the elements of the always-changing scene.
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