But if you're gonna dine with them cannibals Sooner or later, darling, you're gonna get eaten . . .
Interpretation
Engaging with negative influences can eventually lead to negative consequences.
This quote by Nick Cave metaphorically suggests that associating with harmful or toxic individuals can lead to one's own downfall or harm. The imagery of dining with 'cannibals' serves as a stark reminder that one's environment and the people we surround ourselves with can significantly impact our well-being and choices, ultimately leading to unwanted outcomes if one is not cautious.
In practice
In a speech about the importance of choosing friends wisely.
The idea of songwriting is a transformative thing, and what I do with songwriting is take situations that are quite ordinary and transform them in some way. Apart from things like the murder ballads, the songs I write, at their core, are quite ordinary human concerns, but the process of writing about them transforms them into something else.
The writer who refuses to explore the darker regions of the heart will never be able to write convincingly about the wonder, the magic and the joy of love for just as goodness cannot be trusted unless it has breathed the same air as evil.
Music is storming, driving, relentless, devotional, slinky, subtle, heartbreakingly-beautiful sounds that, lyrically, switch from the cynical to the sanguine, the defeated to the defiant, dealing in love, war, beauty, children, romance, rejection, Pethedine, poetry, panties, God, Auden, Johnny Cash, cold potatoes, too-much-money, not enough money, writer’s block, flowers, animals and more flowers. But maybe I’m projecting here.
Who knows their own story? It certainly makes no sense when you’re in the middle of it
And I wish that I was made of stone So that I would not have to see A beauty impossible to define A beauty impossible to believe A beauty impossible to endure The blood imparted in little sips The smell of you still on my hands As I bring the cup up to my lips No God up in the sky No devil beneath the sea Could do the job that you did, baby Of bringing me to my knees
I was about 12 years old and I was sitting watching the television and it was some kind of talent show, you know, and on marches this monkey, this ape, in a pair of red-checked trousers with a little matching jacket holding a ukelele and it started jigging around playing it, and it was looking straight into the camera, straight at me, and I remember thinking, that's it, that'll be me, you know, that'll be me.
When I was learning to creep, my mother set me down on the beach to see what I thought of it. I crawled straight for the coming wave and was just through the wall of green when she caught my heels.
I know now that we never get over great losses; we absorb them, and they carve us into different, often kinder, creatures.
Those around you can have their novellas, sweet, their short stories of cliché and coincidence, occasionally spiced up with tricks of the quirky, the achingly mundane, the grotesque. A few will even cook up Greek tragedy, those born into misery, destined to die in misery. But you, my bride of quietness, you will craft nothing less than epic with your life. Out of all of them, your story will be the one to last.
It haunted him all night, while he slept alone; it was still there in the morning, when he swallowed his coffee and backed down the driveway in the crumpled old Ford. And riding to work, one of the youngest and healthiest passengers on the train, he sat with the look of a man condemned to a very slow, painless death. He felt middle-aged.
There is room in the halls of pleasure for a large and lordly train, but one by one we must all file on through the narrow aisles of pain.
Each time I think I've created time for myself, along comes a throwback to disrupt my private space.
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