You've got to work. You've got to want an audience to sit forward in their chairs sometimes, rather than sit back and be bombarded with images.
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I suppose once in a while, a filmmaker makes a movie that's more than just a sum of its parts, more than good acting or good filmmaking. It's something else that has nothing to do with what you've done. This is in 1999, made by people in 1999 for people in 1999 about people in 1999.
For me, certain shots or scenes are keys in the movie.
Confidence is essential, but ego is not.
Truly great actors carry their characters in silence with them. They communicate without words the relationships that predate the movie.
You think about taking audiences on a journey.
The characters are trapped within the lifestyle. It's about what goes on before the movie starts.
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