Showing your femininity should help your career and not go against your career. Dressing like a man, using the suit to look powerful - that was the '80s, and that didn't help women.
Donatella VersaceRead
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Showing your femininity should help your career and not go against your career. Dressing like a man, using the suit to look powerful - that was the '80s, and that didn't help women.
When I was on TV in the '80s, I wasn't thinking, 'There's a 10-year-old kid watching this and in 15 years, he's gonna be doing stuff that was influenced by me.' I was trying to get my five minutes together. So now that those people are comedians and they're influenced by me - it's bizarre.
I always wrote. I wrote every day. I don't think I could have written 'Just Kids' had I not spent all of the '80s developing my craft as a writer.
There was a point in the '80s when I looked out at my audience and I saw people that - were I not on the stage - they'd sooner slug me as they walked by me on the sidewalk. And I realized that I was way beyond the choir.
In the '70s and '80s there was an attempt in K-12 to teach science through art or art through science. The challenge today is how do you build the ethos of art and design into the academy of science.
Life moves pretty fast. If you don't stop and look around once in a while, you could miss it.
Well, in the '80s and '70s, with the exception of Sidney Poitier and Brock Peters, maybe Ivan Dixon, if you were as big and black as I am, you were a bad guy. Simple. Because in real life, I scare people.
I'd like to think I could have and should have won more, but that's not the point. And I was at the point where I was playing great tennis in the mid 80s - the type of tennis people hadn't seen before - and I was very proud of that.
Since the 70s and the 80s you see the rise of neoliberalism. The central dogma of neoliberalism was that most people are selfish. So, we started designing our institutions around that idea, our schools, our workplaces, our democracies. The government became less and less important.
When I look at women, older than I am, in their 50s, 60, 70s, 80s, and I see women that I admire, I think, 'Oh, I get it; that's how I'm going to be.' I'm not scared. I want to be that.
We are not the same India that the world saw in the 1970s and '80s. Hence, we have a responsibility to live up to the pedestal on which we have been put.
Not many people were speaking truth to power in the '80s. I had a really good time doing it - I found it gratifying. It was a joy to have an opportunity to say what you believed. It's challenging to do it in fiction, but I liked writing the novels. I liked writing 'Democracy' particularly.
I was part of that group of kids growing up in the '80s under the Reagan regime, what I used to call 'living in the shadow of Dr. Manhattan,' where we would have dreams all the time that New York City was being destroyed, and that that wall of light and destruction was rolling out and would just devour our neighborhood.
Of all the artists who emerged in the '80s, I think perhaps Cindy Sherman is the most important.
The '80s made up for all the abuse I took during the '70s. I outlived all my critics. By the time I retired, everybody saw me as a venerable institution. Things do change.
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