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It makes me happy to know that I've been able to impact people's lives.

It is a great honor for me to be able to team up with the Jr. NBA to help continue develop basketball talent in my native Dominican Republic.

My greatest joy comes from creativity: from feeling that I have been able to identify a certain aspect of human nature and crystallise a phenomenon in words.

What I look for in a partner is a skill, a voice of their own so I have a strength to go up against. They definitely have to be able to get out of their own way. I can't take somebody being precious about their work.

My greatest achievement is being able to write records that are real snapshots of what's going on in my life. I won't repeat myself for the sake of commerce, or to please other people.

The only way I was going to be funny was if I was myself, and either you liked it, or you didn't. Either you got on my train, or you didn't. Freeing myself of this idea that I had to fit a certain mold was when I was able to be my funniest.

I'm always impressed with the work of animators. You have to be able to draw the scenes in between movements. I'm impressed with the way they can do that - I don't think I could.

If people knew who I was I would not have able to experience the grind that an assistant director goes through.

I know so many people that were really able to lead 'perfect' lives. They meet the right person, they make the babies, they get the jobs, they get the house and it's essentially a smooth ride. That really didn't happen for me.

I came along with that crowd of singer-songwriters who were able to make their own statements in such a personal way that it changed the industry: Laura Nyro, Joni Mitchell, Bob Dylan, Sly and the Family Stone.

I've propelled myself into the media world and I've been able to get my style of cooking across with my personality.

I was not wary of playing a mother on screen but wasn't sure if I could do justice to it. Would I be able to showcase that kind of overpowering love without being a 'real' mother?

I want to be able to do a scene that will cost me something, and reveal parts of my soul.

But the older I get, the more I like my father and understand him. I was the first-born and he was very proud of me but he never was able to tell me that.

I knew that modeling could open doors, and I would be able to travel and forge my own path. Being able to support yourself is amazing, and I think that was one of the things that appealed to me, but I didn't want to be in front of the camera at first.

I'm grateful to God that I'm able to praise his glory through my music.

My roots are in classical music and jazz, and I want the freedom of being able to improvise. This freedom is possible only in a live concert.

I want to be able to touch people's heart through my music. I want to bring a smile on every face. In my own humble, small way, I want to touch lives.

I think you can develop your ability to be clutch, if that's the word that you will use, your ability to focus and to be able to block out all the external stuff.

There was a lot of improvisation on 'Step Brothers.' I remember it being really frightening, and it took me a long time to get used to it and grow to be able to hold my own. But I remember when it was done feeling like, 'I don't know if I ever want to go back to working another way.'

I'm able to go out there, and I'm really able to be, like, unabashedly myself. And I want somebody who's young, who's struggling, who's not sure if it's OK if they are themselves to know that it's OK.

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