Quotes on Acting

Act as if what you intend to manifest in life is already a reality. Eliminate thoughts of conditions, limitations, or the possibility of it not manifesting. If left undisturbed in your mind and in the mind of intention simultaneously, it will germinate in the physical world.

Nevertheless, he must be cautious in believing and acting, and must not inspire fear of his own accord, and must proceed in a temperate manner with prudence and humanity, so that too much confidence does not render him incautious, and too much diffidence does not render him intolerant. From this arises the question whether it is better to be loved more than feared, or feared more than loved.

We are always complaining that our days are few, and acting as though there would be no end to them.

Why would you get up there and bore people? I never have figured that out. These people are supposedly in the entertainment industry, and they finally get up there to that podium and they become the most boring people in the world.

There aren't many downsides to being rich, other than paying taxes and having relatives asking for money. But being famous, that's a 24 hour job right there.

With this special observance, that you o'erstep not the modesty of nature. for anything so overdone is from the purpose of playing, whose end, both at the first and now, was and is, to hold, as 'twere, the mirror up to nature.

Acting is not a competition; everything must be done for the good of the film or else everybody loses.

In Hollywood a girl's virtue is much less important than her hairdo. You're judged by how you look, not by what you are. Hollywood's a place where they'll pay you a thousand dollars for kiss, and fifty cents for your soul. I know, because I turned down the first offer often enough and held out for the fifty.

My illusions didn't have anything to do with being a fine actress. I knew how third rate I was. I could actually feel my lack of talent, as if it were cheap clothes I was wearing inside. But, my God, how I wanted to learn, to change, to improve!

When you have only a single dream it is more than likely to come true - because you keep working toward it without getting mixed up.

I'm trying to find myself as a person, sometimes that's not easy to do. Millions of people live their entire lives without finding themselves. But it is something I must do. The best way for me to find myself as a person is to prove to myself that I am an actress.

I wanted to find my limitations so I decided to do Shylock. And if I fail? I've never been afraid of that. I have other fears - doing bad work knowingly is the worst fear.

You can't learn to act unless you're criticized. If you tie that criticism to your childhood insecurities you'll have a terrible time. Instead, you must take criticism objectively, pertaining it only to the work being done.

The only way to deal with yourself as an actor is to follow the emotional truth of what you have to do under the imaginary circumstances. And as you develop you become confident. You come to believe in what you're doing and trust it because it's out of you.

If you're an actor, always be true to your character. If you are not an actor, have character and always be true to yourself.

Man is a make-believe animal: he is never so truly himself as when he is acting a part.

To be an actor you have to be a child.

The audience is the most revered member of the theater. Without an audience, there is no theater. Everything done is ultimately for the enjoyment of the audience. They are our guests, fellow players, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.

When student-actors see people and the way they behave when together, see the color of the sky, hear the sounds in the air, feel the ground beneath them and the wind on their faces, they get a wider view of their personal world and development in the theater is quickened. The world provides the material for the theater and artistic growth develops hand-in-hand with one's recognition of it and one's self within it.

The articulate, trained voice is more distracting than mere noise.

There can be no acting or doing of any kind till it be recognized that there is a thing to be done; the thing once recognized, doing in a thousand shapes becomes possible.