Explore Quotes on Acting

I like being employed, you know. That's my favorite kind of acting.

I'm not a photographer, so I didn't get into F-stops or ND filters or background, foreground, cross-light, all that stuff. But I was interested in the camera and the lenses. That's the world that I'm moving in, in terms of acting and giving a performance.

It never occurred to me that I was a leading man until I was 19 years old. I had been acting since I was 10, so that's nine years and 30 or 40 plays, in school and summer stock, professional theater, too.

What makes Superman a hero is not that he has power, but that he has the wisdom and the maturity to use the power wisely. From an acting point of view, that's how I approached the part.

I had just arrived in New York from California. I was nineteen years old and excited beyond belief. I was an art student and an acting student and behaved as most young actors did - meaning that there was no such thing as a good actor, 'cause you yourself hadn't shown up yet.

I think some people in their 20s really get it, that acting is about creativity and the work. They get their maturity from their work.

My favorite way of getting out of doing chores is by acting like I'm asleep. But it never works.

Acting is the hardest job in the entire world. By far. Harder than ditch digging.

I was raised in New York City and raised in the New York City theater world. My father was a theater director and an acting teacher, and it was not uncommon for me to have long discussions about the method and what the various different processes were to finding a character and exploring character and realizing that character.

I called all the major network news bureaus, including Public Radio, and reported ozone AIDS cures coming out of Europe. Not a single reporter or show called back for details. I wrote and sent documentation to all the 'household word' TV talk show hosts who make their living acting 'concerned' and I tried all the 'AIDS fund raising spokespeople', show business celebs, even sending proof of their home addresses, but as of yet not one single phone call or inquiry came back for more.

Most of my confidence came from being with ladies, because I certainly wasn't getting any acting jobs.

Can you deal with the most vital matters by letting events take their course? Can you step back from you own mind and thus understand all things? Giving birth and nourishing, having without possessing, acting with no expectations, leading and not trying to control: this is the supreme virtue.

If you don't act on life, life has a habit of acting on you. You can't have all that you want if you remain the person you are. To get more from life, you need to be more in life.

I still believe Americas destiny is to become a living testament to what free human beings can accomplish by acting in unity.

It is man's intrinsic and irreducible self-responsibility to humanize himself, to exercise his entire range of rational and moral resources to raise his mode of being and seeing and acting above not just that of animals, but also above that of the majority of subhuman (never to be self-realized) humans who will never draw themselves into a self-punishing position of focal self-diagnosis and self-accountability.

It's no use to go and take courses in playwriting any more than it's much use taking courses in acting. Better play to a bad matinée in Hull, it will teach you much more than a year of careful instruction.

Seen from the point of view of the composer, the most nonsensical practice is that of casting people in musicals who are unable to sing. No one would cast a dancing part with someone who cannot dance sufficiently to come up to professional standards. The same is true of acting. But when it comes to singing, more often than not it is amateur night. . . . Either musicals should be written for specified performers in the first place, or they should be cast with people who are adequate to its dancing, acting and singing demands.

I learned acting by doing it. And although I had never taken an acting class, it didn't take long to learn how to be on the stage. All you have to do is to be humiliated in front of an audience a few times. If you don't like being humiliated publicly, you learn how to act.

The "magic if" is a tool invented by Stanislavski, the father of acting craft, is to help an actor make appropriate choices. Essentially, the "magic if" refers to the answer to the question, "What would I do if I were this character in this situation?" Note that the question is not "What would I do if I were in this situation?" What you would do may be very different from what the character would do. Your job, based on your analysis of the script, the scene, and the given circumstances regarding the who of your character, is to decide what he or she would do.

Like the Bible, Stanislavsky's basic texts on acting can be quoted to any purpose.

All the theories that acting is reacting to imaginary circumstances as though they are real, and directing is turning psychology into behavior, those are all stabs at something that can't be taught. All the great actors can't talk about what they do, and they don't want to begin to talk about it. They just do it.