Secure writers don't sell first drafts. They patiently rewrite until the script is as director-ready, as actor-ready as possible. Unfinished work invites tampering, while polished, mature work seals its integrity.
Robert MckeeRead
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Secure writers don't sell first drafts. They patiently rewrite until the script is as director-ready, as actor-ready as possible. Unfinished work invites tampering, while polished, mature work seals its integrity.
Psychoanalysis. Almost went three times - almost. Then I decided what was peculiar about me was probably what made me successful. I've seen some very talented actors go into analysis and really lose it.
You know the actor John Garfield? In one movie he walked up to this train station, the ticket booth, and the guy says, 'Yes, where are you going?' And he says, 'I want a ticket to nowhere.' I thought: that's it. The freedom to do that. I want a ticket to nowhere.
From this point of view, science - the real game in town - is rhetoric, a series of efforts to persuade relevant social actors that one's manufactured knowledge is a route to a desired form of very objective power.
For we cannot adequately understand 'man' as an isolated biological creature, as a bundle of reflexes or a set of instincts, as an 'intelligible field' or a system in and of itself. Whatever else he may be, man is a social and an historical actor who must be understood, if at all, in close and intricate interplay with social and historical structures
Sometimes in the afternoon sky the moon would pass white as a cloud, furtive, lusterless, like an actress who does not have to perform yet and who, from the audience, in street clothes, watches the other actors for a moment, making herself inconspicuous, not wanting anyone to pay attention to her.
I think Hollywood has a class system. The actors are like the inmates, but the truth is they're running the asylum.
It is the writer’s job to make the play interesting. It is the actor’s job to make the performance truthful.
Unless the theatre can ennoble you, make you a better person, you should flee from it.
In the language of an actor, to know is synonymous with to feel
Film spectators are quiet vampires.
If a star or studio chief or any other great movie personages find themselves sitting among a lot of nobodies, they get frightened - as if somebody was trying to demote them.
There is a need for aloneness, which I don't think most people realise for an actor. It's almost having certain kinds of secrets for yourself that you'll let the whole world in on only for a moment, when you're acting. But everybody is always tugging at you. They'd all like sort of a chunk of you.
There are not many things in my life I can be absolutely proud of or certain I got right, but one of them is that I've got better as an actor. I've learnt how to do it. And I still have enough energy to do it.
I've had enough of being a gay icon! I've had enough of all this hard work, because, since I came out, I keep getting all these parts, and my career's taken off. I want a quiet life. I'm going back into the closet. But I can't get back into the closet, because it's absolutely jam-packed full of other actors.
During the actual filming, I’m not really listening to dialogue. I’m watching to see if the actors are communicating something and expressing something. I’m just watching a conversation. You’re not aware of exactly what people are saying. You are aware of what they are INTENDING and what kind of feeling is going on in that scene.
The relationship between the make-up man and the film actor_x000D_ is that of accomplices in crime
Dakota Fanning is a child, but she is a wonderful actor. I don't know what a child actor is. She's an actor who's a child.
I never enjoyed my work more than when I worked with William Powell. He was a brilliant actor, a delightful companion, a great friend and, above all, a true gentleman.
All I want to see from an actor is the intensity and accuracy of their listening.
I often think that could we creep behind the actor's eyes, we would find an attic of forgotten toys and a copy of the Domesday Book.
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