Our particular problem in America at this point in history is the widespread loss of the sense of individual significance, a loss which is sensed inwardly as impotence.
Rollo MayRead
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Our particular problem in America at this point in history is the widespread loss of the sense of individual significance, a loss which is sensed inwardly as impotence.
I wanted to make sure that 'Up' wasn't a 3D movie about a man who sails his house to South America. It's a movie about an old man who sails his house to South America that also happens to be in 3D. So the first thing is always the story.
With sadness specifically, in America you read about people medicating to avoid sadness. They don't want to experience sadness, and yet it's such a vital part of being human.
America is racial. America was founded on race. Race is America. The code name for America is 'race.'
Our higher education system is one of the things that makes America exceptional. There's no place else that has the assets we do when it comes to higher education. People from all over the world aspire to come here and study here. And that is a good thing.
Race in America is not a problem you can go over, or around or under. You've got to go through it.
People often think of America as a classless society, but, of course, that isn't true. Within immigrant communities, there's an enormous distinction of class, depending on who your parents are, and that kind of thing comes out really quick in things like marriage and interpersonal relationships.
Here in America, we don't let our differences tear us apart. Not here. Because we know that our greatness comes from when we appreciate each other's strengths, when we learn from each other, when we lean on each other, because in this country, it's never been each person for themselves. No, we're all in this together. We always have been.
The beauty of America is that I don't have to deny my past to affirm my present. No one does. We can love this nation like a parent and still embrace our ancestral home like cherished grandparents.
The basis for my own work during the years just before coming to America in 1915 was a desire to break up forms - to 'decompose' them much along the lines the cubists had done. But I wanted to go further - much further - in fact, in quite another direction altogether.
The willingness to be self-critical in England is much greater than the willingness to be self-critical in America.
For me, America is really, truly the indispensable nation.
Being young and female in America, you watch a lot of T.V., and you grow up on false images of what love truly is. We think the man with the best rap will protect and save us, about it's not usually that way. Then you learn love is something deeper and purer in form.
So we want to free the women of America? You know what would free the women of America? Make men accept responsibility for birth control.
America rests on shared values rather than shared ethnicity.
I am undoubtedly one of the more, if not the most, privileged undocumented immigrants in America. And for us at Define American, which is this culture campaign group that I founded with some friends, culture trumps politics.
There are still forces in America that want to divide us along racial lines, religious lines, sex, class. But we've come too far; we've made too much progress to stop or to pull back. We must go forward. And I believe we will get there.
After all, I long to be in America again, nay, if I can go home to return no more to Europe, it seems to me that I shall ever enjoy more peace of mind, and even Physical comfort than I can meet with in any portion of the world beside.
'Faces' became more than a film. It became a way of life, a film against the authorities and the powers that prevent people from expressing themselves the way they want to, something that can't be done in America, that can't be done without money.
In America, mixed-race identity tends to invite both curiosity and suspicion, largely because few have found a way to interrogate it without centering whiteness as the scale by which to evaluate blackness.
When I worked as a prosecutor in Richmond, Virginia in the 1990s, that city, like so much of America, was experiencing horrific levels of violent crime. But to describe it that way obscures an important truth: for the most part, white people weren't dying; black people were dying. Most white people could drive around the problem.
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