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There were some extremely good teachers there that were great artists really in their own right. It was actually very hard to concentrate on getting down to going any work being an art student especially when it's a flighty thing at best.

A good teacher can never be fixed in a routine... each moment requires a sensitive mind that is constantly changing and constantly adapting. A teacher must never impose this student to fit his favourite pattern; a good teacher functions as a pointer, exposing his student's vulnerability and causing him to explore both internally and finally integrating himself with his being. Martial art should not be passed out indiscriminately.

We recognize that the arts are an essential part of San Francisco's cultural vitality.

It is our art that has an opportunity to leave a footprint in the sand. They don't wrap fish in our work.

I wish to boast that Pygmalion has been an extremely successful play all over Europe and North America as well as at home. It is so intensely and deliberately didactic, and its subject is esteemed so dry, that I delight in throwing it at the heads of the wiseacres who repeat the parrot cry that art should never be didactic. It goes to prove my contention that art should never be anything else.

Life is rapid, art is slow, occasion coy, practice fallacious, and judgment partial.

Robert Benchley has a style that is weak and lies down frequently to rest.

People who aren't artists often feel that artists are inspired. But if you work at your art you don't have time to be inspired.

Art is ruled uniquely by the imagination.

When comparing works of art, it is important that the art itself, and not the artists, be considered.

O good old man, how well in thee appears The constant service of the antique world, When service sweat for duty, not for meed! Thou art not for the fashion of these times, Where none will sweat but for promotion, And having that do choke their service up Even with the having. . . .

I firmly believe that the only reason why I'm on this planet, the only reason why I live, breathe, and exist is, that it's my duty to be as honest as possible in my art.

Still, there is a calm, pure harmony, and music inside of me.

You must survive with grace. You must do so gallantly. How archaic these terms seem to us in our modern world. There is little grace or gallantry in commerce or politics and not much in art.

It is difficult in life to be good, and difficult in art to portray goodness. Perhaps we don't know much about goodness.

Until quite recently dance in America was the ragged Cinderella of the arts . . .

In Old Europe and Ancient Crete, women were respected for their roles in the discovery of agriculture and for inventing the arts of weaving and pottery making.

The divine art is the story.

If the religious experience were simply some naive impression of the uninformed it would not have resulted in such intellectual insight, such spiritual exaltation, such spectacular religious ritual, or in the immense volume of song and poetry and literature and dance that humans have produced.

If it's bad art, it's bad religion, no matter how pious the subject.

He is everywhere, the pure and formless One, the Almighty and the All-merciful. "Thou art our father, Thou art our mother, Thou art our beloved friend, Thou art the source of all strength; give us strength. Thou art He that beareth the burdens of the universe; help me bear the little burden of this life." Thus sang the Rishis of the Vedas. And how to worship Him? Through love. "He is to be worshipped as the one beloved, dearer than everything in this and the next life."

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