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I know some people are like, 'I'm depressed, and I'm a struggling artist,' and that really works for some people, but that doesn't work for me. I have to be really happy, even when I'm writing my depressing songs; I have to come through that stage before I can write.
I've passed up on many a thing that could have made me a big artist or something. Like, I was offered a feature on a Christina Aguilera song and I turned it down. It just wasn't right. She's cool, but it just wasn't right.
I am a career artist. A lot of people come by and they fly by night, but I'm gonna prove that I can stay in the game and have some longevity.
I'm an underground mix-tape artist who's had a level of commercial success.
I'm just an artist that makes good music and has a good idea to make money off of that.
'Stans' can not see anything wrong with their favorite artist. They love everything they do. If the artist fart, they're like, 'OMG, that was the best-sounding fart I ever heard in my life. She farted on beat,' whatever. I'm an 'objective fan,' so I can give my opinion about things.
Everything you write as an artist is about your legacy and your catalog and how you would look in a museum.
I hate that when you introduce yourself, and you're a rapper, sometimes you gotta say, 'I'm a musician.' Or, 'I'm an artist.' 'I'm a recording artist.' 'I'm a vocalist.'
I got to build a career on signing with a record label that viewed me as a partner and not as an artist who didn't know who she was.
For me as an artist, the expansiveness of my interests and my influences make me enigmatic. I think any man can be that way - if you love enough interesting things.
I feel like I'm a rock artist. I don't feel like I'm a pop artist. And I'm alt rock. I'm indie rock. I'm punk rock. Because it comes from the pots and pans. It's a lot of me, but I've got multiple personalities.
If you looked at my resume in the years leading up to Flickr, I worked in a dive shop in landlocked Arkansas; I was a starving artist. I just arrived at the thing I love to do accidentally.
When I was a kid, I really wanted to be a writer and an artist when I grew up. So in college, I was an English major, and then I became a fine artist. But when I arrived in San Francisco in 1995, I figured I could leverage my artistic skills by becoming a Web designer and programmer.
I want to establish myself as a solo artist before I start to collab. Everything, for me, has to make sense.
No genuinely avant-garde artist should ever be on the government dole.
You're always in a box, and you're an escape artist if you do what I do - or if you're a creative person, period. You build your box, and then you escape from it. You build another one, and you escape from it. That's ongoing.
If I had to compare myself to another artist, I wouldn't. I feel like my lyrics are really strong. I'm good at painting pictures and telling picture stories.
One of the interesting things an artist does is they keep rediscovering things, whether it's a jazz piece or a role you've done for 3,000 performances or a song you're singing for the 3,000th time. My job is to find that spark that keeps it fresh and alive.
I always like to talk about how important space is. Art is in the spaces. Anybody can sing a note; it takes an artist to sing the spaces. Anybody can paint a brushstroke; it takes an artist to know when not to put the brushstroke.
Maybe it goes away, but this is the way I've chosen to live: I want to go down or rise up as an artist. I don't want to get swept up in lipstick or whatever the hell.
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