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I'm not looking to be an artist to make money. I'm looking to be an artist.

As an artist you always want to evolve and you always want to grow.

I don't feel like I'm an artist with a capital 'A.'

Being a hungry artist, you don't have the luxury of buying whatever you want. There were years of me doing a lot of odd jobs, this and that just to make ends meet.

I was at Pepperdine University in Malibu, and during my sophomore year, I played a dying burn victim on 'ER.' The makeup artist put burn makeup all over my body and I couldn't move or eat for 12 hours. I lost 8 pounds that week.

I think making art is something where you think you know, you also know you don't know and you hope - all these things are in play all the time. I think it's what makes the excitement of creativity for the artist.

Artists don't really want to be marginalized. They believe that everybody should be able to appreciate the experience that an artist gives them, an experience that connects us to each other in a deep way.

You no longer have to have a big record label behind you and have to kowtow to the politics that enabled you to get there. You can be a phenomenal artist and put your stuff out there on YouTube and find yourself becoming a star.

As an artist, I've been very fortunate.

The fact that I could secure an opera engagement made me realize I had within me the making of an artist, if I would really labor for such an end. When I became thoroughly convinced of this, I was transformed from an amateur into a professional in a single day.

Country taught me how to sing, it put me on a path. But I was never going to be locked into a formula. I don't want to be considered a current country artist.

My favourite artist is Beyonce. I also like Jasmine Sullivan.

I really admire Ana Mendieta. She was a Cuban American artist who died the year I was born and whose work examines violence, feminism, and belonging. Her art is always brave and visually arresting and vibrates with meaning.

Anything you can do to express yourself is a form of art. That's why I love my craft so much. I always wanted to play other artists. If I can't play an instrument, then I want to play a character that can. There is an artist behind everything, and I think that's beautiful.

It's really hard to write personal songs. I'm not good at writing ditties because as far as writing hit songs that you pitch to the national artist, I just don't write that way.

My father, Dennis Popham, was a very handsome, talented artist, and as my mother always reminds me, 'someone who had wonderful style.' He was half Samoan-German, half New Zealander, and their first date was to a Fleetwood Mac concert, which I love the thought of.

What an artist learns matters little. What he himself discovers has a real worth for him, and gives him the necessary incitement to work.

Silent films weren't so different from my comics - the basic choice both offer an artist is what do you show and what do you tell.

If you write great songs with meaning and emotion, they will last for ever because songs are the key to everything. Songs will outlast the artist and they will go on for ever if they are good.

If an artist is going through a lot of bad publicity, I don't want to ask them about that. If they want to talk about it, I'll make them comfortable enough where they can bring that up on their own. Not only do I want them to feel comfortable, I want them to come back.

I love taking time with an interview. Time with an artist relaxes them; it makes them want to be there and answer all your questions.

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