When I first ran for City Council in 2013, I was told over and over again that I would likely lose, and for reasons beyond my control: I was too young, not born in Boston, Asian American, female.
Michelle WuRead
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When I first ran for City Council in 2013, I was told over and over again that I would likely lose, and for reasons beyond my control: I was too young, not born in Boston, Asian American, female.
Being South Asian in the U.K. is like being Latino in the U.S., I would guess. It's a bit more hood. You see things; things happen. I was bouncing between worlds. You're acting from a very early age, when you have to code-switch like that. I'm a hybrid, a mongrel. I think many people live that life.
But I can tell you what I believe: When tens of thousands of innocent souls have perished in Darfur-when 11 million children are without health insurance-when our colossal debt subjects our economic future to the whims of Asian bankers-no one can tell me that faith demands this Senate spend its time arguing over a handful of judges. No one with those priorities can use my faith to intimidate me.
I'm Asian, so they assumed I'm not an American and that I come from Japan. Restaurants would refuse to serve me, and places would refuse to give you a haircut.
It's hard enough to celebrate being Asian in normal times. But now, when the whole world is kind of coming down, with all this rhetoric and people getting attacked on the street, you really need to deliberately try to celebrate Asian-ness.
I grew up a skinny Asian kid who was often ignored or picked on. It stuck with me and branded my soul. As I grew up, I tried to stick up for whoever seemed excluded or marginalized.
We are not about to send American boys 9 or 10 thousand miles away from home to do what Asian boys ought to be doing for themselves.
Hollywood likes to put actors in boxes, and it likes to put Asian actors in really small boxes.
There's this sense that whiteness is the default and does not need to be questioned. That you've got a race if you're black, or any kind of Asian, or any kind of Native American, but that you have no race if you are white.
For a while, I was feeling like I was always playing characters that weren't specifically Korean or specifically Asian, even - that they were characters who were originally written white, and then they would cast me. And I used to consider that a badge of honor because that meant I had avoided stereotypes.
There is something missing in Asian America. They're missing people to tell them, 'It's okay to be who you are - you belong. Just be unapologetically you; you're not less than anybody else.'
Three women were brought to the Singapore General Hospital, each in the same condition and needing a blood transfusion. The first, a Southeast Asian was given the transfusion but died a few hours later. The second, a South Asian was also given a transfusion but died a few days later. The third, an East Asian, was given a transfusion and survived. That is the X factor in development.
When a dish works, it works for everyone, whether you're Asian, European, African, American or anybody else.
Now every girl is expected to have: Caucasian blue eyes, full Spanish lips, a classic button nose, hairless Asian skin with a California tan, a Jamaican dance hall ass, long Swedish legs, small Japanese feet, the abs of a lesbian gym owner, the hips of a nine-year-old boy, the arms of Michelle Obama, and doll tits. The person closest to actually achieving this look is Kim Kardashian, who, as we know, was made by Russian scientists to sabotage our athletes.
I'm not asking for there to be all black writer's rooms or all Asian writer's rooms, or all white - I want them all to be diverse. When it's diverse, you're going to have a completely different dynamic. Everybody feels othered. Nobody feels like they've got the upper hand.
I was a mixed black girl existing in a westernized Hawaiian culture where petite Asian women were the ideal, in a white culture where black women were furthest from the standard of beauty, in an American culture where trans women of color were invisible.
Koreans love to dance; they love to sing. If you actually know Koreans, you see how absurd the stereotype of the 'Asian robot' is. They love to laugh - they're very affectionate. Maybe because of their history of oppression, when they feel you are part of their tribe, they are intensely loyal. I love that about Koreans!
It's important for Asian American kids to see themselves in stories and to feel seen. They need to know that their stories are universal, too, that they, too, can fall in love in a teen movie. They don't have to be the sidekick; they can be the hero.
If I go to the museum and see white bodies, black bodies, Asian bodies, Latino bodies, then I will expect to see those things every time I go. That matters a lot.
First, you have stereotypes, and that will be the black drug dealer, the east Asian kung fu master, the Middle Eastern terrorist in 'True Lies.' Then you have stuff that takes place on culturally specific terrain, that engages with it, but actually subverts assumptions. 'Smashes' stereotypes. That's where I've come into the game.
With few exceptions, democracy has not brought good government to new developing countries. What Asians value may not necessarily be what Americans or Europeans value. Westerners value the freedoms and liberties of the individual. As an Asian of Chinese cultural backround, my values are for a government which is honest, effective and efficient.
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