The goal of my work is to make visible the inevitable racist assumptions held, and patterns displayed, by white people conditioned from living in a white supremacist culture.
Robin DiangeloRead
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The goal of my work is to make visible the inevitable racist assumptions held, and patterns displayed, by white people conditioned from living in a white supremacist culture.
I'm often reassured in a bizarre - perhaps perverse - way when I find in the archive stuff that contradicts what my assumptions have been. That's interesting and exciting.
I think people make certain assumptions about what they're interested in reading or what others would be interested in reading, and when they think of poor black people in the South, they don't think people are interested in reading about those people.
We so often tend to think our democracies are ruled by procedures and laws, but they are also governed by implicit rules and assumptions and one of them is the ability to feel shame - that you can be shamed.
The relationship that tests/frustrates/irritates you the most actually is one of your greatest blessings. Why? Because it reveals to you the very beliefs/fears and false assumptions that most limit you.
Remember, we see the world not as it is but as we are. Most of us see through the eyes of our fears and our limiting beliefs and our false assumptions.
Being gay immediately placed me outside the values of the society I was growing up in. Apartheid was a very patriarchal system, so its assumptions seemed foreign to me from the outset. I've always had the advantage of alienation.
Move beyond the old assumptions, practices, and language that can be barriers to equal access.
What I find very interesting is, we're not enthralled by the ancient world, and we've escaped all kinds of ancient preconceptions and assumptions and prejudices. But, nevertheless, we still make that connection between authoritative speech and male speech.
With a genre like film noir, everyone has these assumptions and expectations. And once all of those things are in place, that's when you can really start to twist it about and mess around with it.
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