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To be doing interviews in 2006 for a band I was kicked out of in 1989 - a band that I never thought I would play for again - in a way, it's weird.

I went back and reread the Dinosaur chapter in 'Our Band Could Be Your Life,' and it was so depressing.

Coming back to Dinosaur Jr. and actually writing songs for the band was really intense for me.

I think we are looked upon as a veteran band.

Both my brothers played football. My mother had season tickets as a school board member. I was in the band, my sister was in the band. The thing was, the unifying civic activity was obsession over high school football.

When I was 19, I joined a rock band, and that's when I began to say, 'Okay, this is something that I could take seriously.' When I came to Minneapolis, it just refined everything.

To a young person who can't come out to our show, make your own band. Make your own music project.

My friend and I were talking about the band Limp Wrist, and how cool that name is, so we started bouncing other queer-punk band names off each other. The first one I thought of was The Power Bottoms, which I later shortened to Power Bottom.

People, despite having the common interest in our band, might not be friends before meeting at a show. It's great bringing families together.

At rehearsals, I began conducting the band, counting them in without thinking. I guess it came from watching salsa legends like my uncle and Tito Puente, who was very much the leader of his band on stage.

I've made music for grownups most of my life as a singer/songwriter - often with my band, Nine Stories - recorded many albums, and 10 years ago I started recording kid's music, too.

The shows are so different from each other, depending on whether I play with my band, Nine Stories, other musicians, an orchestra, only one or two members of my band.

Band I listen to most: The Ramones.

I always meditate before every show. I say a prayer with my crew and my band to get in the mode, and I also stretch because it's a very athletic show. We've got to entertain; it's what we do.

They tried to get me to use a pick when I first joined the band. They had certain things they thought were appropriate. I tried to adapt as much as I could.

You work in a band, and it tends to be more like moviemaking, I think. It tends to be more of a conscious, verbalized and, to some degree, political process.

I had to seal off my feelings about Stevie while seeing her every day and having to help her, too. But you get on with it. What was happening to the band was much bigger than any of that.

Another thing that was unique about working on this stuff was that I was engineering it. I used many of the things I had learned while I was away from the band. It sort of vindicated my decision to leave in '87.

I've been listening to a new band called Wolf Alice, courtesy of my son. The vocalist, Ellie Rowsell, has a gorgeous voice.

I didn't love Jim Morrison. There was something very reptilian about him. And I didn't care for his singing, but his band! The Doors were fantastic.

Paul persuaded me to join the band. I would never have had the courage otherwise. It was fun at the beginning. We were playing just for fun, with Paul's group.

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