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I played guitar in a band from when I was about 20 for three years. Then I sang a little. Then I started getting really busy as an actor and forgot about it.

My favorite band of all time is The Clash. The thing I love about The Clash is they started out as guys who could barely play three chords. They dabbled in reggae, punk, rap, jazz. They came to a sound that could only be defined as The Clash. It was impossible to say what it was. I admire them for that.

If you'd asked me after 'Band of Brothers' what thing I wanted to do next, I certainly never would have imagined 'Southland.'

I've had some really wonderful opportunities in my career, 'Band of Brothers' being one of them. That's material that can really make a difference, but I don't think of that going into it - at least not consciously.

When I joined the band, being that I was going to take this up as a profession, I realized that there were no two finer guitar players in the world that I'd rather play with.

I am blessed to have an incredible staff of other highly competent paralegals, lawyers, and others that I have surrounded myself with. This is not a one-man band by any stretch.

Back in the day, in '91 or so, I tried to interview Fugazi for Rolling Stone, which the band felt stood for everything they detested about corporate infiltration of music. They said, 'We'll do the interview if you give us a million dollars of cash in a suitcase.' Which was their way of saying no.

The chemistry is everything in a band.

The best part about Chickenfoot is that nobody needs the money. We've got nothing we need to prove to anybody. We wanted this to be a fun band and when we get in the studio it's just so loose, relaxed, and open.

The band changes one guy, sometimes the whole damn thing changes - look what happened when I joined Van Halen.

I always want harmony within the band. I want it to work.

Part of being in a band is getting better.

Writing is private and personal but after I have the idea and I have some of it in place I'll share it with the band to work on their parts. That's where the communication comes into music, the sharing process.

My One and Only Thrill' was completed because I had a band and we were touring.

We were in the same band, but we're two completely different people. People have asked me to make comparisons with our albums, and I can't, because there's no comparison. Her album's okay. I don't think she's the best singer on Earth, but she's okay.

See, I never wrote arrangements for the band for Judy Garland; I did strictly special material, special lyrics, put together all of her medleys.

People find it confusing I'm in a band, even though music was my main thing before acting.

I secretly had this name 'Nancy and Beth' come into my mind, and I thought, 'Oh my God, that's such a funny, interesting, weird name for a band.'

I typed up a long email with different band name ideas and sent it to Stephanie, and they all started with 'the'.

Selling a band predicated on nothing is always an interesting proposition, and of course, the fact of the matter is that I really started out in music before I ever acted, and I've done a ton of singing.

There's kind of a double standard: if a musician decides they want to act, everybody falls over themselves. But if you're an actor and you have a band, everyone's, 'Ugh, disgusting! It's a vanity project.'

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