The world is... often terrifying, disgusting and tragic, but it is also beautiful. I should like to know how exactly each person would make it a tiny bit less disgusting and a tiny bit more beautiful.
Theodore ZeldinRead
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The world is... often terrifying, disgusting and tragic, but it is also beautiful. I should like to know how exactly each person would make it a tiny bit less disgusting and a tiny bit more beautiful.
I think men under pressure - I mean, that's what brings out the worst and the best of us. I like to explore that quite a bit in my characters because I don't see a lot of it on the screen that moved me like the films that I grew up with - that are honest, at least, about honest emotions and honest heroism.
We journalists are a bit like vultures, feasting on war, scandal and disaster. Turn on the news, and you see Syrian refugees, Volkswagen corruption, dysfunctional government. Yet that reflects a selection bias in how we report the news: We cover planes that crash, not planes that take off.
I'm beginning to think that I like the behind-the-scenes work as much as I do in front of the camera as I get a little bit older.
Writing a sitcom compared with writing a novel is a bit like the difference between going on a big, noisy group holiday compared with a solitary march to the South Pole.
It's just us trying to start a movement where everybody passes on a bit of cooking knowledge. We estimate that one person can potentially affect 180 others very quickly so we're just trying to spread the word.
I'm a little bit of an eternal optimist. People always say to me, 'If you go do this and it fails, what are you going to do?' I don't care. I'm going to give it my best shot. That's what I'm going to do. If it doesn't work, it doesn't work. And I'll try again.
The part that makes you unique is the bit people will like or fear, fall in love with, or try to avoid.
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