Explore Quotes on Black

I end up picking clothes in black and white mostly.

I'm always thinking about what a black lady would think about what I'm doing, just because I feel like they have such great taste, mostly because as black women, we've spent a lot of time downloading what a white male narrative is, so in my head, I'm like, 'If a black woman likes it, if she responds to it, then it's probably pretty damn great.'

At fashion shows, my brows often get bleached, and they've been dyed back much darker - like jet black, where you can't even see my skin. Sometimes with Just for Men! What a mistake. At times, the two brows aren't even the same color!

'Orange Is the New Black' was by far the most watched show in both France and Germany and, in fact, all of the markets that we launched.

For as long as I can remember I had suffered from anxiety, nervousness, the big black cloud, stress, low moods, sadness.

I grew up as an artist. Science fiction allows for design and creatures and guns and all the stuff that I like as well. So I think most of the films I make, I'm sure, will be in that category. But I can also see myself making a film like 'Black Hawk Down,' and I could also totally do horror.

The issues that black men face oftentimes are the issues that everyone faces. Do you have the ability to be present? Are you working on yourself? Do you understand what it means to be a man? To be responsible, loving, vulnerable?

Black people need some peace. White people need some peace. And we are going to have to fight. We're going to have to struggle. We're going to have to struggle relentlessly to bring about some peace, because the people that we're asking for peace, they are a bunch of megalomaniac warmongers, and they don't even understand what peace means.

Yes, we do defend our office as we do defend our homes. This is a constitutional right everybody has, and nothing's funny about that. The only reason they get mad at the Black Panther Party when you do it is for the simple reason that we're political.

I was raised a black child in the South, where you're indoctrinated into a religion that an oppressor gave you.

When I went to school, there were no Black philosophers, at least none that I was aware of, who were recognized by Western universities.

There were so many groups that I had in college, but I was always the solo singer. But what made it so unusual back in the day was that I was a black girl playing with all these white musicians, and I was also singing rock music on top of it.

Out of the new arrivals in our lives--the odd word stumbled upon in a difficult text, the handsome black stranger who bursts in one night through the cat door, the telephone call out of a friend's silence of years, the sudden greeting from the girl-child---we constantly make of ourselves our selves.

My work is often a therapy for myself - a working out of these issues as a black woman. And a way of allowing other black women to work through this kind of stigmatization as they look through the images and feel how distorted or contorted they might be in the public eye.

A true nature is a gloomy monolith, sort of like that old black rotary phone that I had to sing 'Happy Birthday' to Grandpa on. But novelists, damn us, still need true natures - so we can give them to our protagonists. And so readers can vaguely predict how they'll behave when we trap them in 'situations' that they can't IM their way out of.

And the whole thing is that you're treated like a step-child. Here it was down here, everything in the black, because they were stealing, basically. Stealing from us old country boys down here.

There was a time I was no longer going to be black. I was going to be an 'intellectual.' When I was first looking around for colleges, thinking of colleges I couldn't afford to go to, I was thinking of being a philosopher. I began to understand then that much of my feelings about race were negative.

Writing 'Native Guard,' I didn't know I was working on a single book. I began writing that book because I was interested in the lesser-known history of these black soldiers stationed off the coast of my hometown.

In the early 1970s in Atlanta, I attended what had formerly been an all-white school but had become a black school after integration and white flight. Perhaps because of this, the teachers created a curriculum that included a focus on African American literature and history year-round, not just in February.

Thinking back to boyhood days, I remember the bright sun on Harlem streets, the easy rhythms of black and brown bodies, the sounds of children streaming in and out of red brick tenements.

Naturally we need black men to give this movie serious credibility.