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When I pick up a book that's, you know, wreathed in laurels, I expect a lot, and that doesn't give the book its best chance to shine.

When I think about a book like 'A Clockwork Orange,' which I really loved, the weird hybrid language is what I remember most.

In a way, I started 'Goon Squad' not even realizing I was writing a book. I thought I was just writing a few stories to stall before starting this other book that I wanted to write - or thought I wanted to write: I still haven't written it.

If I'm doing something I know I can pull off, then that's not the book I should be writing.

I knew as far back as 2001 that I would write a book called 'A Visit From the Goon Squad,' though I had no idea what kind of book it would be.

Reading is a lot like eating for me: If I try to read a book I'm not hungry for, I won't enjoy it, but if I wait until I have a real appetite for something, I'll devour it.

I try consciously to keep myself entertained and challenged to not repeat myself at all. Like, when I start a new book, my goal is to pretty much throw out what I've done and try something completely different that I think initially I cannot do.

It's my job to write the best book I can each month and hand my scripts in. Everything else is beyond my control.

I grew up with my uncle's comic books at my grandma's house, so I've always loved my comic book reading.

I never anticipated that I would be writing a book and never anticipated that people would want to read it and it'd be successful.

I still have a YA-genre-series type of a book in me that I really want to tell.

We were at a kibbutz, and we were at a Shabbat service, and I opened up the prayer book, and on the first page, it said that the prayer book was in thanks to the sponsorship of this family in a temple in Kansas City. For me, it was a moment when I really kind of connected in a real serious way with my personal identity as a Jew.

In 'Straight Talking,' I had bared my soul, and the press attention had been overwhelming. There were times when I felt scared and vulnerable, regretting the articles I had written to publicize the book, regretting I had opened my life up for all to see.

You write a book, and after 50 pages you think it's about one thing, and then you write another hundred and you realize it's about something else, and then by the time you're done, you can look back and say, 'Oh, this is what it's about.'

I understand it's great to read a great book, but it's better to live your life. It just helps me. It's uncomfortable at times, but you have to live outside the circle.

I'm hot on the Jewish book club circuit. How many black authors do you know who can say that?

'MAD Magazine' put out a book that was a collection of Trump cartoons, and they asked me to do the forward because they knew that I was a fan because I'd done stories and tweeted about 'MAD.' So I did the forward and asked them if I could do a cartoon. They let me, and I did caricatures of myself and Wolf Blitzer.

I think the next thing I publish will be for children, but I don't really want to be held to that because I also know what my next book for adults will be, and I really like that, too, so it depends. I've always had more than one thing going.

The moment I said I'd finished a book, I knew what would happen. There would be a bidding war, and I would end up with someone who'd got the fattest wallet, who had bought it because I'd written Harry Potter. That would have been why.

I feel like once I say out loud, to the public, what I'm working on, it's never going to be an actual book. So until it's close to done, I keep pretty quiet about my next stuff!

Each book I write is a shout into the silence and a prayer and a plea for change.

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