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In order to run a great business, you must know that a bunch of really intrinsically unhappy people, that's not a recipe for success. Don't be anywhere you don't need to be; it's just like that.
Where I came from, the idea of going into show business was just ridiculous; in fact I didn't tell anybody because I knew people would laugh at me. So I sort of snuck around and got some pictures and got a resume together and, of course, lied and said I did all kinds of things I didn't do.
I have no interest in being a celebrity. I wouldn't go to anything that I wasn't involved in just for the sake of wearing a nice frock and having my picture taken. That part of the business doesn't make me feel very comfortable.
My big thing is I like to be in a spot where I can have an opinion every single day, and I'm hoping to keep that going because, you know, it's not normal yet for women in this business to have an opinion, and I was very grateful that I got to do that.
I have a ton of great girlfriends in this business.
In business terms, if you take over a company and oust its CEO or fire a divisional chief, you run the place. But in institutional terms, as it happens, it doesn't at all work that way.
London is becoming more of a business than a place for families. You can't live here. We're not investing in the future.
The combination of a workable basic formula and the capacity to improve over time is what one hopes for in any aspect of society: business, government, the non-profit sector.
This acting's serious! And I really respect those actors. It's a tough business to be able to be something you're not and be natural and convince people on camera.
Camp is always all business.
I'm just saying that being in this business is not easy, and it's definitely not for everybody.
I came into this business to create characters that moved people and told stories.
Tenure in any department is serious business, because it means, essentially, employment for life.
People think they need to hire someone to do their PR, but 99 percent of PR in the early stages is stuff you can do yourself. It's just like business development - there's the warm-up intro, followup to build relationships, then add something of value.
There's been a big spur in downtown development with new business, restaurants and a lot of loft buying. The buses run, and there's a subway that runs through downtown.
Depression is a surfeit of empathy - a killing empathy - that makes depressives great friends to everyone but themselves. Having a self is a rough business, and depressives can empathize with others who have to deal with it, but not with themselves.
We do a big business with our midsized-venue model. We don't need bands to be on the top-ten charts to make money.
In early days of Live Nation, we really believed it was important to be a direct-to-consumer business, which the labels aren't and no promoter was at the time. By merging with Ticketmaster, we could we give the artist a direct relationship with the fan.
A promoter needs to be in the e-commerce ticketing business. In a fundamental sense the promoter's job is to buy a show and go and market and sell the tickets.
The biggest cost of my business is competition - promoters bidding against each other to get a tour.
Our business model rises or falls on our ability to serve the artists. If others can do it better, the artists will go elsewhere.
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