A handful of works in history have had a direct impact on social policy: one or two works of Dickens, some of Zola, 'Uncle Tom's Cabin' and, in modern drama, Larry Kramer's 'The Normal Heart.'
Tony KushnerRead
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A handful of works in history have had a direct impact on social policy: one or two works of Dickens, some of Zola, 'Uncle Tom's Cabin' and, in modern drama, Larry Kramer's 'The Normal Heart.'
This cabin, Mary, in my sight appears,_x000D_ _x000D_ Built as it has been in our waning years,_x000D_ _x000D_ A rest afforded to our weary feet,_x000D_ _x000D_ Preliminary to - the last retreat.
There is hardly a pioneer's hut which does not contain a few odd volumes of Shakespeare. I remember reading the feudal drama of Henry V for the first time in a log cabin.
If you look at the Earth without architecture, its sometimes a little bit unpleasant. So there is this basic human need to do shelter in the broadest sense of the word, whether its a movie theater or a simple log cabin in the mountains. This is the core of architecture: To provide a space for human beings.
If you're holding out for universal popularity, I'm afraid you will be in this cabin for a very long time.
Every morning, even in the bitterest winter, she stood before the chapel door until it opened at four and remained there until after the last Mass. Out from her Caughnawaga cabin at dawn and straight-way to chapel to adore the Blessed Sacrament, hear every Mass; back again during the day to hear instruction, and at night for a last prayer or Benediction.
The Forbidden Forest looked as though it had been enchanted, each tree smattered with silver, and Hagrid's cabin looked like an iced cake.
His mouth opens. From inside him comes a slow stream, without breath, without interruption. It flows up through his body and out upon me; it passes through the cabin, through the wreck; washing the cliffs and shores of the island, it runs northward and southward to the ends of the earth. Soft and cold, dark and unending, it beats against my eyelids, against the skin of my face.
I'd buy myself a cabin on the beach, I'd put some glue in my navel, and I'd stick a flag in there. Then I'd wait to see which way the wind was blowing.
The proletarian writer is a writer with a purpose; he thinks no more of art for art's sake than a man on a sinking ship thinks of painting a beautiful picture in the cabin; he thinks of getting ashore - and then there will be time enough for art.
What does it mean when a man falls in love with a radiant face across the room? It may mean that he has some soul work to do. His soul is the issue. Instead of pursuing the woman and trying to get her alone, away from her husband, he needs to go alone himself, perhaps to a mountain cabin, for three months, write poetry, canoe down a river, and dream. That would save some women a lot of trouble.
At Waco, was there really an urgency to get those people out of the compound at that particular time? Was the press going to make it look heroic for the Bureau of Alcohol, Tobacco, and Firearms? At Ruby Ridge, there was one guy in a cabin at the top of the mountain. Was it necessary for federal agents to go up there and shoot a 14-year-old in the back and shoot a woman with a child in her arms? What kind of mentality does that?
If I could write a story that would do for the Indian one-hundredth part what 'Uncle Tom's Cabin' did for the Negro, I would be thankful the rest of my life.
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