Quotes on Cameras

The international community spends much more time and resources managing crises than preventing them. But TV cameras are seldom there when a conflict is avoided, so it is difficult for governments and international organizations to make prevention a priority.

There are always more questions. Science as a process is never complete. It is not a foot race, with a finish line.... People will always be waiting at a particular finish line: journalists with their cameras, impatient crowds eager to call the race, astounded to see the scientists approach, pass the mark, and keep running. It's a common misunderstanding, he said. They conclude there was no race. As long as we won't commit to knowing everything, the presumption is we know nothing.

I began to realize that the camera sees the world differently than the human eye and that sometimes those differences can make a photograph more powerful than what you actually observed.

I have always avoided photographing in the studio. A woman does not spend her life sitting or standing in front of a seamless white paper background. Although it makes my life more complicated, I prefer to take my camera out into the street... and places that are out of bounds for photographers have always had a special attraction for me.

The furies are at home in the mirror; it is their address. Even the clearest water, if deep enough can drown. Never think to surprise them. Your face approaching ever so friendly is the white flag they ignore. There is no truce with the furies. A mirror's temperature is always zero. It is ice in the veins. It's camera is an x-ray. It is a chalice held out to you in silent communion, where gaspingly you partake of a shifting identity never your own.

Look and think before opening the shutter. The heart and mind are the true lens of the camera.

There is only you and your camera. The limitations in your photography are in yourself, for what we see is what we are.

The camera introduces us to unconscious optics as does psychoanalysis to unconscious impulses.

By close-ups of the things around us, by focusing on hidden details of familiar objects, by exploring commonplace milieus under the ingenious guidance of the camera, the film, on the one hand, extends our comprehension of the necessities which rule our lives; on the other hand, it manages to assure us of an immense and unexpected field of action.

The camera can be lenient; it is can also expert at being cruel. But its cruelty only produces another kind of beauty, according to the surrealist preferences which rule photographic taste.

My number one rule is to keep that camera rolling. Even if it's shaky or slightly out of focus, I don't give a rip. Even if a big old alligator is chewing me up I want to go down and go, 'Crikey!' just before I die. That would be the ultimate for me.

The instrument is not the camera but the photographer.

In the theater, while you recognized that you were looking at a house, it was a house in quotation marks. On screen, the quotation marks tend to be blotted out by the camera.

Effectively, it makes the greasepaint permanent, blurring the lines not only between public and private but also between the authentic and contrived self. If all the world was once a stage, it has now become a reality TV show: we mere players are not just aware of the camera; we mug for it.

My philosophy is that I'm an artist. I perform an art not with a paint brush or a camera. I perform with bodily movement. Instead of exhibiting my art in a museum or a book or on canvas, I exhibit my art in front of the multitudes.

Photography begins not in the camera but in the _x000D_ mind and the eye. The real work is one of noticing and appreciating, seeing things clearly and differently, and _x000D_ sharing that vision with others. I have developed my _x000D_ vision and my photographic craft in order to bring _x000D_ the beauty of nature to light in a fresh way that _x000D_ can inspire and nourish people.

The camera is no more an instrument of preservation, the image is.

The camera can represent flesh so superbly that, if I dared, I would never photograph a figure without asking that figure to take its clothes off.

I am always surprised when I see several cameras, a gaggle on lenses, filters, meters, et cetera, rattling around in a soft bag with a complement of refuse and dust. Sometimes the professional is the worst offender!

See, people are watching you. Especially your children. They're taking in every single thing you do. They are like video cameras with legs. And they are always in the record mode. They learn more from what you do than from what you say.

Historically, privacy was almost implicit, because it was hard to find and gather information. But in the digital world, whether it's digital cameras or satellites or just what you click on, we need to have more explicit rules - not just for governments but for private companies.