In general there is something puzzling about the fact that the most renowned figures in chess - Morphy, Pillsbury, Capablanca and Fischer - were born in America.
Garry KasparovRead
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In general there is something puzzling about the fact that the most renowned figures in chess - Morphy, Pillsbury, Capablanca and Fischer - were born in America.
Capablanca was snatched too early from the chess world. With his death we have lost a great chess genius, the like of whom we will never see again.
For my victory over Capablanca I am indebted primarily to my superiority in the field of psychology. Capablanca played, relying almost exclusively on his rich intuitive talent. But for the chess struggle nowadays one needs a subtle knowledge of human nature, an understanding of the opponent's psychology.
Capablanca was among the greatest of chess players, but not because of his endgame. His trick was to keep his openings simple, and then play with such brilliance in the middlegame that the game was decided - even though his ooponent didn't always know it - before they arrived at the ending.
But the thing that was great about Capablanca was that he really spoke his mind, he said what he believed was true, he said what he felt. He [Capablanca] wanted to change the rules [of chess] already, back in the twenties, because he said chess was getting played out. He was right. Now chess is completely dead. It is all just memorisation and prearrangement. It's a terrible game now. Very uncreative.
Capablanca's play produced and still produces an irresistable artistic effect. In his games a tendency towards simplicity predominated, and in this simplicity there was a unique beauty of genuine depth.
The ideal in chess can only be a collective image, but in my opinion it is Capablanca who most closely approaches this.
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