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The Full Monty, ah, it's superb. The Full Monty showed how life really is in certain cities of England.

At the breakfast table we are footnoting everything that we read. We don't recognise it as such but we encounter an article in the newspaper and then suddenly we recall that a friend had a certain comment on that particular story, a certain bit of news that we saw on the television applies to that and we immediately assemble an idea of a story.

I think at a certain level compared - as was pointed out earlier, compared to what is happening in Europe, the United States still gets the safe-haven money. But underlying that, the United States is not the safe haven but perhaps the most dangerous place of all.

Villains have to be passionate enough to say to themselves, 'I will do anything.' It's a certain type of personality that in life, for me, is not the way I live. Because you can't live in a society that way.

Watching someone that you love, you think they have a certain amount of time left to live, changed everything for me. And tennis seemed not so important anymore.

I didn't particularly aim to be a Shakespeare actor, but I suppose I had a certain gift or it; I certainly got offered lots of it. I liked Complicite and Shared Experience and Kick Theatre, and all the small theatre companies that were getting going. I wanted to be like that, making original theatre.

I didn't go to a conservatoire, and I have certain low opinions of certain aspects of the conservatory experience.

Usually that's going into biology in a certain way. There's certain strengths and weaknesses to both of the sexes. And I'm not against employing those nor am I against denying those, what I am looking for is a very large array of options.

However, if I can expand this to Top Cow or Avatar I'm helping the sales, however small, on my Marvel books because I'm almost certain to pick up some new readers.

The perception is that the Stoke players were one-dimensional: that they could only play in a certain way, and that was the top and bottom of their capabilities.

There are certain games where you have to hold your hands up, take your medicine, and move on to the next one.

When you're a touring musician, you're always turning over new rocks, and there's always a certain level of tension in your life. The music business, and the travel that comes with it, is stressful, challenging, redundant, exhausting, exciting, and often very depressing.

I could have easily doubled my profit and made two records out of 'Among the Leaves', but the songs represented a certain period, and it made sense to get it out there as one piece.

If a fan approaches me and I feel like they have some kind of agenda, I'm probably gonna get real closed-off and not talk to them. But if I feel a connection with someone, or if I feel a certain trust with somebody, I feel like, 'You know what, I can open up to this person and tell them about an experience.'

We were kind of caught up in the genre trap. We didn't really have a lot of artistic freedom. They wanted us to go into a certain direction, so they could promote us easier.

As far as what I do, my value as a writer is certainly not to try to recapitulate a 19th century form. Certain styles of narrative don't conform to my style of experiencing the world.

Capitalism does not require us to hold a particular set of cognitive beliefs; it only requires that we act as if certain beliefs (about money, commodities etc) are true. The rituals are the beliefs, beliefs which, at the level of subjective self-description, may well be disavowed.

I want to make music for everyone. I'm not trying to start a super exclusive group. I don't want a clique of people where you have to wear a certain type of clothes to come to our shows, or you have to be the ages of this and this.

There are a few songwriters in bands I really relate to that write a certain type of joy, because a lot of artists don't really write joy. It's a thing only a few people do.

There's a certain way you stand to give yourself authority, which gives you the texture for the part. I chose that my character hadn't been married, he'd worked his way up the chain of command. For a small cameo role, I gave it a lot of thought.

I've got two girls, and they both make beautiful drawings. One of them really has a gift for the way that she colors around certain lines.