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It's incredible how London-centric the theatre world is. Certain actors won't travel away from London anymore for work; practitioners often aren't taken seriously enough unless their work is seen in London; and it's sometimes very difficult to get national critics to review shows - especially if there's a clash with a London press night.
There's a certain type of theatre that I haven't got any time for at all - established, boring, same-old stuff without any reason or passion. There's quite a lot of it about, and it motivates me to try to do something different, something risky, raw, ugly, and challenging.
It is an amazing feature in the French character that they will let themselves be led away so easily by bad counsels and yet return again so quickly. It is certain that as these people have, out of their misery, treated us so well, we are the more bound to work for their happiness.
I've learned to recognize that I'm in certain rooms for a reason, and I've learned - if I have an opinion or something I want to say - to say those things and not feel afraid about it.
Novels demand a certain complexity of narrative and scope, so it's necessary for the characters to change.
An e-book is not a physical book. That point might seem trite until you stop for a moment to think how much simpler it is, in a certain sense, to destroy electronic than physical traces.
Like, even in our stage performance, it's vulnerable at certain times, it's sad, it's raging... It's not just about being a sex symbol, or being sexy to appease everyone. I'm not about that.
As the years pass, I find that writers who were once central to me aren't anymore. I revered Yeats's poetry in college. I respect it now and am still ravished by certain lines, but I don't go back to him again and again. I do go back to Emily Dickinson again and again.
I need to acknowledge the toll certain parts of my life are taking on me. I have to do that, even if it temporarily paralyzes me to suppress it. Otherwise, paradoxically, I can't go on. When I can reside in that, and recoup, then I can continue. In a strange way it's a survival method.
Negroland is my name for a small region of Negro America where residents were sheltered by a certain amount of privilege and plenty. Children in Negroland were warned that few Negroes enjoyed privilege or plenty and that most whites would be glad to see them returned to indigence, deference and subservience.
When you look at movies, the lead girl is always gorgeous and thin. There is a stereotype that you need to look a certain way and when you get in the business you really feel the pressure.
If I have to spend a lot of time on planes, I try to think of this as time off. In certain ways, it's more restful than home: no Internet, no phones, no interruptions.
Ballet can be grueling, for sure, but it gives you a certain discipline.
There are certain circumstances where I feel a little unlucky or why did this happen to me but I'm sort of transitioning from that and finding ways that I can learn from it and help with it.
There's certain circumstances, there's certain situations, there's certain decisions that have to be made based upon the business and you can't take that personal.
I have 60 people working for me in my studio. That's luxury if you ask me. I just dream. Tell those people that I want a certain thing. Those people will then invest days, and sometimes months, in bringing that idea to life. What more could you ask for? That's luxury for me.
In a war, no matter the outcome of a certain skirmish or battle, the winner is the party whose attitudes, behaviors and preoccupations come to dominate the postwar landscape. By this measure, the outcome of the gender wars, if wars they were, is clear: women won.
There's a certain libertarian right-wing view that there should be no FDA, that people can decide for themselves whether medicines are safe and effective. That's nonsense. Most people don't have the expertise or the resources to mount a proper study to find out whether a treatment is safe or effective.
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