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I would not say it was tough doing an intimate scene, however it was challenging to play Sana in 'Spotlight' as she is a versatile character with different shades.
Prepping for any character is the most important thing because if you don't know how she walks, talks or thinks, you can't do justice to it.
I could relate to the naive and young Bulbbul, before the character transforms. It was easier to understand her mind set and how she looked at things. But it was difficult to internalise her transformation. It was like playing two different personalities.
Every character, every story that you do, it teaches you a lot.
Your job as an actor, I guess, is just to make people relate to the character.
Nobody wants to play a one-dimensional character.
With anything you put out there, you're going to offend somebody, but most people get that it's a joke, that I'm playing a character, and that I'm actually making fun of what I'm saying by saying it.
When I'm acting in TV or movies, I'm a character. But when I'm doing music, I'm Trevor Jackson.
I love to play any character that isn't close to my personality.
The question people ask me all the time is, 'How was it playing a gay character? How was it pretending to love a man?' And I don't mean to be abrasive, but that's just the stupidest question in the world to me. To assume there is a difference is ignorance. You're born a certain way. I was born loving women. I could have been born loving men.
Chiron is so distant from the person I am; it's important for me to distance myself from that so people can understand that was the character. Hopefully, I'll find another opportunity that allows me to stretch like that again.
While you're testing out armatures of puppets, you're also trying to find the proper visual vocabulary for the character and to come up with a guidebook of sorts for how a character will move and act.
On 'Black-ish,' I like my makeup to be really natural - so much that I can do it myself. My character is a mother of four and a doctor and a wife, who would not have time to be putting on eyeshadow or curling her lashes.
It's not that I'm necessarily looking for things that are so dark and emotional. But if I see something where the character goes through enormous change, it's very appealing to play all those levels, and that is probably going to involve some dark moments.
I have no qualms about doing a character who may be below the lead in the pecking order, whether it's a hero or a villain or a comedian.
Luckily, the public sees me as a character actor.
I've been lucky that even when I was younger, just because of my look or whatever, I was afforded the opportunity or called on to try. 'Can you do this Hispanic character?' 'Can you do this Italian character?' 'Can you do this Jewish-American character?' I just had to develop a facility for their accents.
My mother dropped us off at a foster care centre when I was just two. But my grandmother ended up fighting for us and winning custody of us. We didn't have much, but she gave us character.
I think hip-hop brought it on itself. When rappers got a chance to talk to the media, they would get in the interview and say, 'It's all real life.' They play these characters, and then they can't stop playing the character when they're not working.
The script is a blueprint for the film - there are very few bad scripts that make good movies. If you really like the character and understand the utility it serves within the movie, that's a part of my process.
I always believe that Kar-Wai has a complete script: he just doesn't show it to us. He wants us to experience and explore the character. He gives you a lot of space, and you know every time will be a very long journey. You just live in the character, and that's very different from other directors.
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