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Maybe Larry Kings cannot thrive or even survive in a world where the norms for discourse are rage, vehemence and character assassination. King wanted to be liked, not feared; admired, not loathed.
I think character is real important. And you know, and I think the public does.
With something like Waterloo Road' it was a lot slower and because I had a relatively small part - I mean, my character wasn't a main - I wasn't in filming so much.
I have no wish to go back to being frustrated by a character. It's really just part of being on an ongoing series. You're constantly hoping the next episode you get, something will happen for you. You're on the edge of your seat all the time, pressing your hands together and hoping that something cool will turn up.
When I'm in London, it feels like I am that character who is 'Tom Odell.'
Achievement builds character.
People striving, being knocked down and coming back... this is what builds character in a man.
Character is the ability of a person to see a positive end of things. This is the hope that a man of character has.
We live in the golden age of character actors - in an age when actors who have done their time in character roles are frequently asked to carry dark movies and complicated television dramas.
The great character actors are now the actors whose work has the element of ritual sacrifice once claimed by the DeNiros of the world, as well as the element of danger - the actors who thrill us by going for broke.
Character actors like Philip Seymour Hoffman and James Gandolfini have found themselves getting more and more leading roles because they are permitted to behave onscreen in ways that George Clooney and Matt Damon never could.
It was amazing for me to play a character opposite Benedict Cumberbatch - he's someone who I've looked up to for years - and the idea that I would work with him and then become friends with him was an amazing experience.
I feel like I've been playing Spider-Man my whole life. He's a character I've been pretending to be in my bedroom since I was a kid - so I've been preparing for this forever, I think.
We will build men of character.
I don't think you can sing about certain things when you're a teen-ager or in your early 20s, because you haven't lived long enough. So I think living gives you character and that comes out in your voice.
That's what's great about the Batman universe. When you explore Gotham, when you explore the villains, all of them point to this one character. This iconic American symbol for how we deal with pain and loss and how we move forward after it.
Batman's not mine. He doesn't necessarily belong to me. As a character, he belongs first to the audience and second to the hundreds of writers who have been writing him in comics for 75 years.
What eventually you find in comics is the only thing unique you can bring to a character who's been around for 80 years is yourself.
All stories are just stories of a character changing.
What I really wanted to do was take this character and go beneath the veneer of Lucifer. Underneath it all, there was a guy who was a hurt soul and rejected from his father. How that played upon his choices was kind of interesting, but also it's going inside a shell of someone who doesn't know what an emotion is.
There's something really charming about a character that is fundamentally flawed and does some pretty despicable things, but yet you still kind of love him.
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