This absurd, godless world is, then, peopled with men who think clearly and have ceased to hope. And I have not yet spoken of the most absurd character, who is the creator.
Albert CamusRead
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This absurd, godless world is, then, peopled with men who think clearly and have ceased to hope. And I have not yet spoken of the most absurd character, who is the creator.
Not for nothing one face, one character, one fact makes much impression on him, and another none.
Individuality is founded in feeling; and the recesses of feeling, the darker, blinder strata of character, are the only places in the world in which we catch real fact in the making, and directly perceive how events happen, and how work is actually done.
If you will practice being fictional for a while, you will understand that fictional characters are sometimes more real than people with bodies and heartbeats.
Plot is no more than footprints left in the snow after your characters have run by on their way to incredible destinations.
Often the deep valleys of our PRESENT will be UNDERSTOOD only by LOOKING BACK on them from the mountains of our FUTURE experience. Often we can’t see the LORD’S HAND in our lives until long after the trials have passed. Often the most difficult times of our lives are ESSENTIAL building blocks that form the FOUNDATION of our CHARACTER and pave the way to FUTURE opportunity, understanding, and happiness.
Joie est mon caractere, C'est la faute a Voltaire; Misere est mon trousseau C'est la faute a Rousseau. [Joy is my character, 'Tis the fault of Voltaire; Misery is my trousseau 'Tis the fault of Rousseau.] - Gavroche
Firmness in enduring and exertion is a character I always wish to possess. I have always despised the whining yelp of complaint and cowardly resolve.
Life is a shitstorm, in which art is our only umbrella." (spoken by character in a novel by Mario Vargas Llosa)
He was going through one of those moments that you read about in books, when a character reacts in an unexpectedly extreme way to the normal discontents of living.
The beauty or ugliness of a character lay not only in its achievements, but in its aims and impulses; its true history lay, not among things done, but among things willed.
When bad men combine, the good must associate; else they will fall one by one, an unpitied sacrifice in a contemptible struggle.
The most worthless of mankind are not afraid to condemn in others the same disorders which they allow in themselves; and can readily discover some nice difference in age, character, or station, to justify the partial distinction.
And liberty cannot be preserved without a general knowledge among the people who have a right from the frame of their nature to knowledge, as their great Creator who does nothing in vain, has given them understandings and a desire to know. But besides this they have a right, an indisputable, unalienable, indefeasible divine right to the most dreaded and envied kind of knowledge, I mean of the characters and conduct of their rulers.
The cleverest character in comedy is the clown, for he who would make people take him for a fool, must not be one.
No, none of us seem so very real. We're only supporting characters in the lives of each other. Any real truth, any precious fact will always be lost in a mountain of shattered make-believe.
Our character is composed of our ideas and our feelings: and, since it has been proved that we give ourselves neither feelings nor ideas, our character does not depend on us. If it did depend on us, there is nobody who would not be perfect. If one does not reflect, one thinks oneself master of everything; but when one does reflect, one realizes that one is master of nothing
Drugs age you after mental excitement. Lethargy then. Why? Reaction. A lifetime in a night. Gradually changes your character.
All great writers have, of course, an atmosphere in which they seem most at their ease and at their best; a mood of the general mind which they interpret and indeed almost discover, so that we come to read them rather for that than for any story or character or scene of seperate excellence.
I consider books to be good for our health, and also our spirits, and they help us to become poets or scientists, to understand the stars or else to discover them deep within the aspirations of certain characters, those who sometimes, on certain evenings, escape from the pages and walk among us humans, perhaps the most human of us all.
The people in this house, I felt, and I included myself, were like characters each from a different grim and gruesome fairy tale. None of us was in the same story. We were all grotesques, and self-riveted, but in separate narratives, and so our interactions seemed weird and richly meaningless, like the characters in a Tennessee Williams play, with their bursting unimportant, but spell-bindingly mad speeches.
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