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I've never played a character where I've had so much fun on the physical end. I don't want to say I like it too much but it's fun having a gun on you and getting to manhandle men.

The character is close to me, except that I haven't lived through those situations, so it's not completely me.

People of a certain age still remember me as Edna Garrett. They often want to give me a hug because the character was so warm and nurturing. I don't mind at all. I think it's very nice.

When I started wrestling and then turned into the Evil Queen, I created this character who I needed in my personal life. This woman who is strong, intelligent, confident, empowering. That's what I needed in my personal life.

My character, Charlotte, is very confident, and I try to be more like my character in real life. Not that I'm not confident, but I've really found my personal growth through work.

What I'm pretty much giving you when you see me onstage is me; it's not a fake character.

I would quite like to do a different accent or play something so different from myself because Olivia, the character I play in this film, is similar to me.

I guess because I pay so much attention to the physical part of the character, I don't look upon it as like Charlize Theron up there. I don't think of them as like Charlize Theron films.

I look for a layered character who has problems and issues - which, by the way, we all do have.

I was a little bit wary of playing Nicholas. In the script, which I think is true of the novel and the film, he's the only character not singing and dancing in a musical style. Playing someone who is the personification of good is a little difficult.

Well, you know, I don't think anyone who writes a television series has a master plan from the beginning, and knows all the character traits, and everything that's going to happen.

When you get to set, you don't try to play the plot; you just play the character.

If you want to play a complex, turmoiled character, then give him a dose of Catholicism.

I'm a big, loud character and some people don't like that.

Soaps are great. You learn to work very fast - some say superficially, but that's not really true. You do some very serious character work. I've never had any feelings about a stigma attached to it, and nowadays there seems to be less snobbery about what you do. More and more big names are doing TV and commercials and voiceovers.

Because I killed a guy in real life, and because my character kills a guy onstage, they said I could never do anything this great again. I resented that.

Sow an act and you reap a habit. Sow a habit and you reap a character. Sow a character and you reap a destiny.

If you're entering a room for the first time, do it the way you would in life - look around; see how they have the furniture arranged. If your character is meeting another character for the first time, meet them the way you would in life.

It's always fun to layer a character, to make the character a little bit more dynamic than it is on paper.

There are lots of theories that the simpler a comic character is drawn the more relatable they become. People can imprint themselves onto the gaps in the picture. The skill of cartooning is often working out how much can be stripped away.

Alfred Nobel really understood very well the necessary supra-natural character of the human enterprise.

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