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I had some experience when I joined 'The Sopranos' in the last season. My character married Christopher, and everyone loved Adriana. I knew what it was like to join a very beloved, secretive show and following a very iconic character.

As an actress, you have to give your character a life, a history, and make it full and rich for yourself.

I want to do a character in a one-woman show who's a yoga teacher from the Bronx. I could do the best accent: 'Raise yaw ahms up! Reach faw da sky!'

I do love the clothes on 'Mad Men' because my character has been so elegant and I would never have had access to these clothes. I think Janie Bryant is a costume designing genius. They'll call and tell me, 'It will only take an hour,' and I'm like, 'I will try on the whole truck!'

My character in 'Shame' is an outrageous person. Loud and uncompromising and I begged Steve McQueen to give me the job.

The character I play is a wonderful compilation of things I hate about myself and things I love about myself and things that I've invented to make her even more interesting than me.

I think people love the character of Iris West. I think a lot of fans are also excited that Iris West is now African-American. They want to see her be strong and intelligent and a love interest - and so people come out in full force to defend that and honor that. And I think that's cool.

When you're shooting a TV show, there's not a lot of time to build character.

You can't form a character without being completely comfortable with who you are as a person.

It's just really so important for an actor to be in the right costume for their character.

Since I was from the theater, that's how I learned how to go through the process of being a character. That's how I learned, and that's what I was comfortable doing. And then, the first feature films, I'm sure I was no fun because I did not want to be spontaneous in that filmic way that really can work for you.

The nightmare of a film career, or at least the challenge of one, is that you're rarely going to get the opportunity to explore character because once people see you in one thing, you know, they want to see that again.

I personally like to talk to people when I'm not doing a scene, still acting as if I'm in Gotham when I'm on set because I don't really like to break character, since I sometimes get distracted. I may get distracted when I'm talking to people and having fun; then I have to check myself.

I don't think a character that you played for even eight years ever leaves you.

I don't think I'm tough but I do think I'm quite a strong character.

Because I was able to submerge myself into the character, I didn't have to go back and forth. You don't have to work hard to bring emotions. It all just comes naturally, you're there living it.

Clothing reveals what a character is trying to project as well as what they're giving away about themselves without even realizing it: their socioeconomic class; their confidence level; their vulnerabilities.

Emotionally, I think you're going on a journey with the character, so you have to be present for each and every scene, and for me,one thing I like to do is step away between takes, away from everyone else, listen to some music, and just get into that place to help me perform.

You can't be too concerned with the philosophical meanings of the character and how it will affect everything else.

As you live with a character longer, you claim more ownership over it. You become more defensive of it. It becomes like a person that you know.

There's this character, Theo Galavan, who becomes the ringleader for the revolution of villainy in the city of Gotham. He becomes this mentor figure for Jerome that really inspires him to go off the deep end, and it's really fun.

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