Explore Quotes on Cities

In the city a funeral is just an interruption of traffic; in the country it is a form of popular entertainment.

There's no such thing as designing the perfect utopian city. Everything is subject to change. There are no final frontiers.

Architects are mostly self-centered and their buildings express their ego. [They are] not social buildings to make it more comfortable for people - to make life better for people. The cities have to be designed so people can get together and talk with one another.

Working with drug addicts, alcoholics, and so-called juvenile delinquents in New York City convinced me that instead of working with individuals, more effective methods would deal with the societal conditions that create dysfunctional behaviors in the first place.

If there's a group like Amish people, that want to live their own lifestyle – they don't want to live in our city – they want to live out in the country, with their own projects. We’ll put up the buildings for them, design the buildings for them, design the food production systems for them – if they want us to. But we don’t control them.

We live in a world where our social system is old, our language is old, the way we acquire goods and services is outdated, our cities are detrimental to our health, chaotic and a tremendous waste of resource, and most of all our politics and values no longer serve us.

The Venus Project is not about new cities or new architecture. It's about a way of thinking

A farm regulated to production of raw commodities is not a farm at all. It is a temporary blip until the land is used up, the water polluted, the neighbors nauseated, and the air unbreathable. The farmhouse, the concrete, the machinery, and outbuildings become relics of a bygone vibrancy when another family farm moves to the city financial centers for relief.

Permaculture is a design system for creating sustainable human environments...Permaculture uses the inherent qualities of plants and animals combined with the natural characteristics of landscapes and structures to produce a life supporting system for city and country, using the smallest practical area.

When people meet me, many times they're very surprised because they expect someone who is kind of wacky with seven piercings and very hip and cool and New York City, and I'm not.

Women smirk at baldness. How adorable would they find it if they began to lose their breasts in their late twenties? If both tits just shrunk up - unevenly I might add - and eventually turned into wine-cork nubs. Then it would be a different story. Then men would get the pity that they deserve. As far as I'm concerned, baldness is the male breast cancer only worse, because almost everyone gets it. True, it's not life threatening. Just social-life threatening. But in New York City, there is no difference.

I discovered Los Angeles in the late 90s. The city was not at its best at the time, but I fell for it right away. There is something almost haunted about it, a vibrant mythology I find rather inspiring.

Your rainbow panorama enters into a dialogue with the existing architecture and reinforces what is assured beforehand, that is to say the view of the city. I have created a space which virtually erases the boundaries between inside and outside – where people become a little uncertain as to whether they have stepped into a work or into a part of the museum. This uncertainty is important to me, as it encourages people to think and sense beyond the limits within which they are accustomed to moving.

Poverty and the rule of race that is called apartheid drive the Transkeian migrant from security on the land to work in the cities, and then back again.

Not until the beginning of the 20th century did Europe's urban populations finally become self-sustaining: before then, constant immigration of healthy peasants from the countryside was necessary to make up for the constant deaths of city dwellers from crowd diseases.

I received a grant from The Ford Foundation to write a book for kids about urban perception, or how people experience cities, but I kept putting off writing it. Instead I started to write what became The Phantom Tollbooth

No one paid any attention to how things looked, and as they moved faster and faster everything grew uglier and dirtier, and as everything grew uglier and dirtier they moved faster and faster, and at last a very strange thing began to happen. Because nobody cared, the city slowly began to disappear. Day by day the buildings grew fainter and fainter, and the streets faded away, until at last it was entirely invisible. There was nothing to see at all.

If you were smart in 1807 you moved to London, if you were smart in 1907 you moved to New York City, and if you are smart in 2007 you move to Asia.

The City of London and Wall Street are not going to be great places to be in the next two or three decades. It's going to be the people who produce real goods in charge – the farmers and the miners.

There is such a desire to give everybody a piece, we're probably wasting a great deal of homeland security money trying to be politically correct, when we really need to make sure that our cities get the money they need.

When I was 14 or 15, our teacher introduced us to Dickens' 'A Tale of Two Cities.' It was just for entertainment - we read it aloud - and all of a sudden it became a treasure.