Explore Quotes on Class

There is no conflict between best in British class and being a global newspaper. We are an international newspaper rooted in the City of London, and I think people understand that. The 'FT' stands out as a global niche product.

When I was a kid, and Elvis Presley broke through to a middle class, white audience, it was a sociological phenomenon that lasted through the Beatles and even a bit through Fleetwood Mac.

Basically as a working class boy I understand when there's not enough money to put food on the table and not knowing where the next dollar comes in from. When you've been in that environment as a child, you never lose it.

Latinos are concerned about the same pocketbook issues that matter to most middle class Americans - creating good-paying jobs in this country, making sure our children get a quality education, and ensuring that our families have access to affordable and quality healthcare.

I remember when I took the role on E.R., I thought, 'I haven't really been able to play a working class woman. I've played girls, I've played funny, but I haven't played a working class woman. That sounds like something I'd like to do.'

I had quite a turbulent upbringing. It was middle class, and everything was quite comfortable, but everyone was mental.

A strong, educated middle class is what made America the greatest country in the world.

I failed every class up until I dropped out freshman year.

My friends were the class clowns, but I was the one in class doing Michael Jordan or teachers for no reason. I've always been amazing at impersonating real people, too, rather than celebrities.

I do a kind of homeschooling where some of it's on the computer and some of it's classes around the city. So sometimes I'll have a class in the morning or do school at home.

I've been wanting to spar Miguel Cotto over in L.A., and that will be priceless, going over there, getting some rounds with such a world class fighter.

People say I'm not world level, but I haven't fought at that class yet, so you can't say that until I have.

So much of the literature we had to read for high school English class was filled with victimized, tragic, symbolic women who spurred the plot forward with their inevitable shunning/death/shunning-followed-by-pregnancy-followed-by-death timelines.

Because I was crazy and because my parents wanted me out of their hair, they put me in an all-day acting class... so they wouldn't have to deal with me, probably. And it just so happened there agents auditing the class, and I ended up getting signed.

I would leave school and go to my theater class, and that's when I'd actually sit down and listen. I wouldn't pay attention in school, or I'd sing in class and get in trouble - I'd always get in trouble. Theater is the only thing I always came back to.

I would love to do something with Bill Withers just because I think he's next-level, just so, so class!

Even if 'Bruises' had done a fraction of what it did, I would have thought that was class.

For me, there's bands like Frightened Rabbit and The View, and they've all had that Scottish accent. It's just class to hear it.

I was always the class clown. I was always the funny one.

Josh Gad was in my class. Katy Mixon. Griffin Matthews. Josh Groban - he ended up leaving to become a huge star, but he was in our class in freshman year. I remember Josh was this nerdy kid in a turtleneck with a voice from heaven.

Armchair poverty tourism has been around as long as authors have written about class. As an author, I have struggled myself with the nuances of writing about poverty without reducing any community to a catalog of its difficulties.