Quotes on Color

As a person of color, I was trained from very early on to see 'Leave It to Beaver,' 'Gilligan's Island,' or 'Hamlet' and look beyond the specifics of it - whether it be silly white people on an island or a family living in Nowheres or a Danish person - to leap past the specifics and find the human truths that have to do with me.

I just want different narratives for people of color, especially women of color. I just want something that's different. I don't want us to be put in a box. I want it to be kind of a redefinition of who were are. If I can even achieve that in a tiny way, I'll be good. I'll be good.

You have young men of color in many communities who are more likely to end up in jail or in the criminal justice system than they are in a good job or in college. And, you know, part of my job, that I can do, I think, without any potential conflicts, is to get at those root causes.

Mattia was right: the days had slipped over her skin like a solvent, one after the other, each removing a very thin layer of pigment from her tattoo, and from both of their memories. The outlines, like the circumstances, were still there, black and well delineated, but the colors had merged together until they faded into a dull, uniform tonality, a neutral absence of meaning.

I never had an occasion to question color, therefore, I only saw myself as what I was... a human being.

Being of color in America by no means amounts to a constant barrage of negativity. However, unlike being white, being of color means one's race is a constant issue.

It's hard in America as a writer of color, an actor of color, not to get caught up in race and culture. But you're also supposed to be able to write characters and scenes in a way where it's just a matter of fact, a component.

People of color grow up steeped in 'white' culture. The reverse is not true. And, no, listening to hip-hop on the way to work does not count as immersion.

Surely the day will come when color means nothing more than the skin tone, when religion is seen uniquely as a way to speak one's soul; when birth places have the weight of a throw of the dice and all men are born free, when understanding breeds love and brotherhood.

I keep the drafts of each poem in color-coded folders. I pick up the folders according to how I feel about that color that day.

In order to use color effectively it is necessary to recognize that color deceives continually.

I never think about themes. I let the music create itself. I like it to be a potpourri of all kinds of sounds, all kinds of colors, something for everybody, from the farmer in Ireland to the lady who scrubs toilets in Harlem.

I've always been inspired by Dr. Martin Luther King, who articulated his Dream of an America where people are judged not by skin color but "by the content of their character." In the scientific world, people are judged by the content of their ideas. Advances are made with new insights, but the final arbitrator of any point of view are experiments that seek the unbiased truth, not information cherry picked to support a particular point of view.

While the documentary community is way ahead of Hollywood, it is still nowhere near where it needs to be. Filmmakers of color rarely get hired by the powerful production companies, and they are not getting supported enough by broadcasters and funders to tell their own stories.

I don't start with a color order, but find the colors as I go.

It's something most people of color and most women have been burdened with their whole lives, having to suppress your natural emotion to make everybody else feel comfortable. Repeatedly having to do that takes its toll.

I believe it is possible to bring an end to mass incarceration and birth a new moral consensus about how we ought to be responding to poor folks of color and a consensus in support of basic human rights for all. But it is going to take some work.

The sprinkling of people of color through elite institutions in the United States, due to affirmative action policies and the limited progress of middle-class and upper-middle-class African Americans, creates the illusion of great progress.

The job of the novelist is to invent: to embroider, to color, to embellish, to entertain, to make things up. The art of what I do lies not in research or even recollection but primarily in invention.

Color is not a human or a personal reality; it is a political reality.

I want to be black, to know black, to luxuriate in whatever I might be calling blackness at any particular time, but to do so in order to come out on the other side, to experience a humanity that is neither colorless nor reducible to color.