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You reason color more than you reason drawing... Color has a logic as severe as form.
There's not many models in the U.S. that have my depth - like, really dark skin - that are also plus size. Skin color has been one of those things we haven't really, really addressed on a large, widespread scale.
Growing up, I had body confidence issues, not really so much because of size but my skin color. I had trouble recognizing that the depth of my skin tone is really beautiful because whenever people referred to a beautiful black-skinned woman, you'd see Beyonce and Rihanna.
As a woman of color and curve model, I never imagined when I started modeling that I would be featured in the pages of 'Sports Illustrated.'
It wasn't until 'Hamilton' that I began to be considered an actor of color, and I really don't know what to make of it.
I don't think people realize what it's like for people of color to audition for film and TV.
I'm obsessed with the Fenty beauty line. It's like, finally, women of color get good makeup.
There's one race on this planet. It's called the human race. We're all the same. To me, there is absolutely nothing that has color to do with it.
Any aluminum product may scratch or chip with use, exposing its natural silver color. That is normal.
I like to look at it as things and people and whole society in general being uneducated about facts. There are a lot of stereotypes. But I don't see color, I don't see race.
I think it's important for not just me but women of color, trans women, and people who are marginalized to be telling stories of themselves. It's important for us to be behind the lens.
Some people remember me for my color; some people remember me as a friend.
Film brings together framing and light and color and performance and music and all of that. To me, everything I've done in my life has been preparing me for filmmaking.
Not enough people enjoy working with color, which delights and inspires me.
Nine out of nine architects start with a sketch, and then they say, 'What should we make it out of?' I start from the bottom up - what should it be made out of - and then I worry about what should it look like. The material, the color of the material, the way it feels, and the way you respond to it is every bit as valid as the form or the shape.
I, personally, like good clothes. I appreciate a fine tailored suit, and I'm impressed with the expansion of color in men's wardrobes.
I think I ended up on 'People's '50 Most Beautiful People' list just because of eyeliner, which is kind of a bummer. But if you do find the right color, it will make your eyes pop.
I don't know if you've ever knit a sweater, but by the end of it, you're like, 'Ugh I can't wear this. I can't stand the color. I'm so tired of it.'
In the women's movement, women needed men to stand up and say, 'This isn't right.' In the civil rights of the '60s, it took people of all color to demand equal rights.
The only thing I can say is consistent in all my paintings is vivid color.
You take a tube of the patient's blood, extracting platelet-rich plasma, or PRP, from it. It's yellow in color, but it does all kinds of good things for the body: It speeds up healing, fills out the face. I spray it into wounds and use it in rhinoplasty.
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